The elegantly billowing movement of an overpainted underwater nude. Curtice Taylor (from 1985) at CLAMP.
The elegantly billowing movement of an overpainted underwater nude. Curtice Taylor (from 1985) at CLAMP.
JTF (just the facts): A total of 14 photographs by Edmonds, hung against mottled/clouded white walls in the main gallery space and the entry area, intermingled with photographs and sculptures ... Read on.