Encouraging representation to fall toward uncertainty. Diane Severin Nguyen in the Minor twin worlds two person show at Bureau.
Using removal to interrupt layers of ski boots and bindings. Elad Lassry at 303 Gallery.
Cutting sculptural textures into hard edged geometries. Erin Shirreff in The Whole Picture group show at Sikkema Jenkins & Co.
Using double exposure to create a surreal interaction. Duane Michals in the Your Mirror group show at the International Center of Photography.
Hands on hips, a toweled head, and hanging baby clothes. Shelby Lee Adams in the Your Mirror group show at the International Center of Photography.
A wary soot stained face amid the shimmering flames. Lu Guang in the Your Mirror group show at the International Center of Photography.
Transforming individual identity in 100 different ways. Tomoko Sawada in the Your Mirror group show at the International Center of Photography.
Introducing shifting uncertainty into a tabletop still life. Lucas Blalock in the Aperture Photographs group show at Aperture Gallery.
Ghostly hands manipulating camera equipment amid layered planes. Camel Collective in the back room at Ulterior Gallery.
A gestural branch between two hedges, evoking first love. Jake Naughton at United Photo Industries.
Langston Hughes and a turn of the head. Carl Van Vechten at Keith De Lellis Gallery.
Waiting and watching. Carrie Mae Weems in the By Women, For Tomorrow’s Women benefit sale, March 1, 2019, at Sotheby’s.
Using blur to create an impressionistic watercolor effect. Paolo Roversi at Pace/MacGill Gallery.
Rethinking Paul Gauguin’s “primitive” muses. Rachelle Mozman Solano at Smack Mellon.
Creating a veiled effect with meticulous surface scratches. Christopher Russell at Gitterman Gallery.
Self portrait with ethereal multiple exposure confusion. Constantin Brancusi in Constantin Brancusi Sculpture at MoMA.
Rethinking Norman Rockwell for a diverse 21st century America. Hank Willis Thomas and Emily Shur in the For Freedoms show at the International Center of Photography.
The sleek geometries of a mirrored headdress. Ulrike Ottinger at Bridget Donahue.
An evocative pairing of quiet despair and rusty orange. Laura Stevens in The City (and a Few Lonely People) group show at ClampArt.
A narrow slice of elongated shadow. Clarissa Bonet in The City (and a Few Lonely People) group show at ClampArt.
Daybook
Daybook is an ongoing visual diary made entirely of notable photographs, a cascade of images seen here and there and deserving of further attention.
