The supportive sisterhood of dancers at Houston’s Club Onyx. Adrienne Raquel at Fotografiska.

Using photographs as source material for drawings. Tom of Finland at Fotografiska.

Mysterious collaged faces, dissolving into aggregation of overlapped detail. Romare Bearden in Artist’s Choice: Yto Barrada—A Raft at MoMA.

The delicate lines of a spiderweb. Ilse Bing in Artist’s Choice: Yto Barrada—A Raft at MoMA.

Creating an expansively linked family tree of food brand characters/faces. Nina Katchadourian at Pace Gallery.

Shadows of a leafy branch twisted into a swirling collage of geometric layers. Sandi Haber Fifield at Yancey Richardson Gallery.

Using ducks in Central Park as the subject of a 1969 minute-by-minute duration study. Douglas Huebler in the No More Than Three Other Times group show at Paula Cooper Gallery.

Bird collages documenting a fictitious invasive bird program in Lebanon. Walid Raad in the No More Than Three Other Times group show at Paula Cooper Gallery.

Emptying out and anonymizing the posed romance. Hans-Peter Feldmann at 303 Gallery.

Stepping out of an intricately crafted cut paper carriage. Jasper de Beijer at Asya Geisberg Gallery.

Using the story of Abraham and Isaac as a response to the 1970 Kent State shootings. George Segal in Scenes from the Collection at the Jewish Museum.

Adding a handheld camera to a back-of-the-print copyright notice. Jimmy DeSana in Ray Johnson: WHAT A DUMP at David Zwirner.

Arthur Rimbaud climbing through the rotting piers. David Wojnarowicz in Ray Johnson: WHAT A DUMP at David Zwirner.

Peeling back the wispy angles of prickly interior pressure. Jimmy DeSana in Ray Johnson: WHAT A DUMP at David Zwirner.

The textural abstraction of scanned textiles mounted to IKEA tables. Cory Arcangel at Greene Naftali Gallery.

The ghostly presence of memory jug X-rays. Terry Adkins in Grief and Grievance: Art and Mourning in America at the New Museum.

Dramatically restaging the assassinations of the Civil Rights movement. Carrie Mae Weems in Grief and Grievance: Art and Mourning in America at the New Museum.

Pairing a blurred, anonymous face in a hoodie with Michael Brown’s police report. Carrie Mae Weems in Grief and Grievance: Art and Mourning in America at the New Museum.

The destroyed doctors’ offices of Braddock hospital. LaToya Ruby Frazier in Grief and Grievance: Art and Mourning in America at the New Museum.

The muted mood of stained wallpaper. Deana Lawson in Grief and Grievance: Art and Mourning in America at the New Museum.