Splicing together Elsa dolls, remixing handmade details and individualized desires. Loretta Fahrenholz at Company Gallery.
Watery reflections of Venetian boats fragmented into painterly gestures. Melissa McGill at TOTAH Gallery.
Contact sheet choices for Biggie Smalls in a crown. Barron Claiborne in CONTACT HIGH: A Visual History of Hip-Hop at the ICP.
The Pharcyde turning the corner with high energy. Mark Humphrey in CONTACT HIGH: A Visual History of Hip-Hop at the ICP.
Looking upward to the reserved cool of Beyoncé and Jay-Z. Raven B. Varona in CONTACT HIGH: A Visual History of Hip-Hop at the ICP.
Mid-1980s Run DMC posing in the street. Janette Beckman in CONTACT HIGH: A Visual History of Hip-Hop at the ICP.
Layered fabrics and a daunting stare. Lisette Model in The Lower East Side: Selections from the ICP Collection at the ICP.
The 1895 grime surrounding a weary Ludlow Street cobbler. Jacob Riis in The Lower East Side: Selections from the ICP Collection at the ICP.
Inverting Siskind with a tumbling martial artist. Alex Majoli in the Selections from Collections group show at Howard Greenberg Gallery.
The elegant balance of curves, angles, lines, and shadows. Frank Golhke in the back room at Howard Greenberg Gallery.
A disorienting doll reflection using a toaster. Late 1970s Sandy Skoglund in the back room at Ryan Lee Gallery.
The burnished vertical repetitions of a male gymnastics team. Anderson & Low in the Steven Geltson collection show at ClampArt.
Using perpendicular boards to create a waterfall effect. Dennis Oppenheim in the Conceptual Photography group show at Marlborough Gallery.
Cleverly rethinking the typical placement of picture, rug, and chair. William Wegman in the Conceptual Photography group show at Marlborough Gallery.
Misty geometric abstractions deepened by refracting echoes. Rey Parlá at Benrubi Gallery.
Hitting all the party stereotypes: women in bikinis, fast cars, and a drone overhead. Bárbara Wagner and Benjamin de Burca in the Samba in the Dark group show at Anton Kern Gallery.
The feedback howl of playing a bus shelter with an electric guitar. Kim Gordon at 303 Gallery.
Amazonian frogs clustered on an unlikely chessboard. Lothar Baumgarten at Marian Goodman Gallery.
Turning a steep upward view into a geometric abstraction. Willy Kessels in the second floor hallway at the Met.
The immense scale difference of a toppled Egyptian statue and 1850s tourists on donkeys. Francis Frith in the second floor hallway at the Met.
Daybook
Daybook is an ongoing visual diary made entirely of notable photographs, a cascade of images seen here and there and deserving of further attention.
