Adding a surreal fish eye to a shadowy male nude. Jason Byron Gavann at Daniel Cooney Fine Art.

The momentary vulnerability of a fallen rider. Jeff Wall (from 2022) at Gagosian Gallery.

A color study in saturated neon red. Jeff Brouws (from 1990) at Robert Mann Gallery.

Watching a record spin as it fades in and out of focus. Narcisa Hirsch’s “Come Out” (from 1974) at Microscope Gallery.

Reflecting nearby buildings in a polished David Smith sculpture. James Welling (from 2023) in the Your Patience is Appreciated group show at Marian Goodman Gallery‘s new Tribeca space.

The dangling wires of test stations at CERN. Thomas Struth (from 2023) in the Your Patience is Appreciated group show at Marian Goodman Gallery‘s new Tribeca space.

Watching the total solar eclipse from Niagara Falls. An-My Lê (from 2024) in the Your Patience is Appreciated group show at Marian Goodman Gallery‘s new Tribeca space.

Paris intently observing bonsai specimens. Yang Fudong (from 1999) in the Your Patience is Appreciated group show at Marian Goodman Gallery‘s new Tribeca space.

A nude figure dissolving into flares of light and gestural marks. Matt Saunders (from 2024) in the Your Patience is Appreciated group show at Marian Goodman Gallery‘s new Tribeca space.

Looking down at Marcel Duchamp’s “Bicycle Wheel”, stretched across a corner. Louise Lawler (from 2023/2024) in the Your Patience is Appreciated group show at Marian Goodman Gallery‘s new Tribeca space.

Singling out an overlooked lynching tree. Steve McQueen (from 2013) in the Your Patience is Appreciated group show at Marian Goodman Gallery‘s new Tribeca space.

Capturing the personality nuances of 1990s era London club goers. Rineke Dijkstra (from 1995/2024) in the Your Patience is Appreciated group show at Marian Goodman Gallery‘s new Tribeca space.

Raised swords and timid waves from a youth parade in Bavaria. Daniel Terna at Jack Barrett Gallery.

An uneasy pile of hands and feet. Henri Cartier-Bresson (from 1929) in room 517: Surrealist Objects in the permanent collection galleries at the Museum of Modern Art.

Underneath a boot sign, seen in reversed tonalities. Florence Henri (from 1931) in room 517: Surrealist Objects in the permanent collection galleries at the Museum of Modern Art.

Grain elevators covered in graphic black. John Szarkowski (from 1949) in room 511: Architecture in the Age of Industry in the permanent collection galleries at the Museum of Modern Art.

A steep angle down from the Bauhaus roof. T. Lux Feininger (from c1929) in room 511: Architecture in the Age of Industry in the permanent collection galleries at the Museum of Modern Art.

The simple formal elegance of hands blocking. Robert Mapplethorpe (from 1980) in room 510: Looking for Langston in the permanent collection galleries at the Museum of Modern Art.

A dancer in sparkling sequins. James Van Der Zee (from 1925) in room 510: Looking for Langston in the permanent collection galleries at the Museum of Modern Art.

The delicate lines of sandy kelp. Edward Weston (from 1930) in room 509: Nature Symbolized in the permanent collection galleries at the Museum of Modern Art.