Alix Cléo Roubaud, in tinted pastel shades. Unglee (from 1981/2024) at David Peter Francis.
Sculpting Buddhas in Myanmar. Steve McCurry (from 2o13) at Leica Gallery.
Refracting The Lady from Shanghai through sculptural glass. Jennifer and Kevin McCoy (from 2026) at bitforms gallery.
Weaving in the history of Pocahontas and John Smith. Sarah Sense (from 2026) at Bruce Silverstein Gallery.
The twisting raised chin of a dreamer. Manuel Álvarez Bravo (from 1931/early 1970s) in the project room at Yancey Richardson Gallery.
Darkroom experimentation leading to a swirling tunnel-like path inward. Celeste Voce (from 2026) in A Vivid Blur at the SVA Chelsea Gallery.
A kaleidoscopic torrent of paper cutouts. Abelardo Morell (from 2026) at Edwynn Houk Gallery.
The gridded geometries of crumbling walls and peeling paper. Gordon Matta-Clark (from 1973) at Printed Matter.
“A Logo for America” displayed on a floating screen in Miami. Alfredo Jaar (from 2018) at Galerie Lelong.
A mystical bright flare among the darker wisps. Alfred Stieglitz (from 1923-1930) in the Chasing Clouds group show at the Metropolitan Museum of Art.
Painterly effects in a yellowish tint. Edward Steichen (from 1903/1904) in the Chasing Clouds group show at the Metropolitan Museum of Art.
Streaky brightness hovering above a dark horizon. Roger Fenton (from 1856) in the Chasing Clouds group show at the Metropolitan Museum of Art.
Towering clouds behind an urbanscape of silhouetted rooftop chimneys. Franck-François-Genès Chauvassaignes (from 1856-1859) in the Chasing Clouds group show at the Metropolitan Museum of Art.
Painted clouds above the stupas of Pagan. Linnaeus Tripe (from 1855) in the Chasing Clouds group show at the Metropolitan Museum of Art.
Making nuanced equivalents of river, sky, and sand. John Beasley Greene (from 1853-1854) in the Chasing Clouds group show at the Metropolitan Museum of Art.
A textural sweep of hair, and the inconclusive mystery of a turned portrait. Shaun Pierson (from 2026) in the settle for a good fantasy group show at Luhring Augustine.
Turning a YSL look into a mosaic of mirrored image fragments. David Seidner (from 1987) in the settle for a good fantasy group show at Luhring Augustine.
Organizing glances in a typological framework. Janice Guy (from 1977) in the settle for a good fantasy group show at Luhring Augustine.
Introducing the seething glow of a reflected view of tree branches. Stacy Arezou Mehrfar (from 2024-2026) in the Nature Represented and Reproduced group show at CLAMP.
The elegantly billowing movement of an overpainted underwater nude. Curtice Taylor (from 1985) at CLAMP.
Daybook
Daybook is an ongoing visual diary made entirely of notable photographs, a cascade of images seen here and there and deserving of further attention.


