The reconsidered walls of institutional critique. Christopher Williams at David Zwirner.

The burnished glow of patterns and geometries. Will Brown at Laurence Miller.

Patient attention to ill-fitting clothes. Bruce Wrighton at Laurence Miller.

Formal studies of in situ logos. Colin Snapp in the Freezer Burn group show at Hauser & Wirth.

Tiling between painting and photography. Ian Wallace in the Freezer Burn group show at Hauser & Wirth.

A creepy doll’s head in a ladle. Ralph Eugene Meatyard in the Disturbing Innocence group show at FLAG Art Foundation.

Perfect doll house domesticity. Laurie Simmons in the Disturbing Innocence group show at FLAG Art Foundation.

The teddy bear takes control. Dare Wright in the Disturbing Innocence group show at FLAG Art Foundation.

Bouffant hair and blond toddlers. Arlene Gottfried at Daniel Cooney.

Bisecting the landscape, confusing indoor/out. Luisa Lambri in the Under the Influence sale at Phillips London.

Steve Carell wrapped in tape. Martin Schoeller at Hasted Kraeutler.

Poolside languor with newspapers and Oscar. Terry O’Neill in the Cinema sale at Artnet Auctions.

A dense array of intimate vintage prints. Arthur Elgort at Staley-Wise.

Playing with silhouettes and solarization. Sigmar Polke at Paul Kasmin.

A cinematic array of clouds and starry skies. Michelle Stuart at Leslie Tonkonow.

Two cameras seeing the desert, capturing alternate points of view. Katherine Hubbard at Capricious 88.

A surreal combination of saw blade, flower petal, and unicorn costume. Birgit Jürgenssen at Fergus McCaffrey.

Tween ennui with a blue floral sofa and pink blankets. Jessica Todd Harper at Rick Wester.

Distortion through pebbled glass. Carlotta Corpron in the photography sale at Galerie Bassenge.

Creepily excellent laughing housewife mannequins. Martha Rosler at Andrea Rosen.