Purple overalls as a feminist symbol. Annette Kelm at Andrew Kreps.

The power of an interrupting leg. Christopher Oates in the RESPOND group show at Smack Mellon.

A combined camera obscura light projection. Ted Victoria at Robert Miller.

Nude as classical sculpture. Robert Mapplethorpe at Robert Miller.

Elemental photogram geometries amid the waves. Emily Roysdon at Participant.

A halo of hot dogs. Lucas Blalock in the Proper Nouns group show at Rachel Uffner.

Conceptual playfulness with intertwined snakes and a mirror table. Boyd Webb at Janet Borden.

The nuanced textures of back alley planes and angles. Andrew Borowiec at Sasha Wolf.

Layers of backstage watching and waiting. Larry Sultan in the flats group show at Team.

Bold surreal colors in a tower of glassware. Robert Calafiore in the ONE group show at Klompching.

The Badlands in woven paper collage. Carole P. Kunstadt in the ONE group show at Klompching.

Trees turned into Impressionistic linear blurs. Charles March at Venus over Manhattan.

Converged composite images of tourist landmarks. Corinne Vionnet at Danziger.

A progression of overpainted pixelization. Jennifer Murray at Porter Contemporary.

Domestic nude in bright morning light. Sarah Kaufman at Porter Contemporary.

Her emulsion transfer on concrete pushed further. Letha Wilson in the Zabriskie Point group show at Jack Hanley.

Collaged elements in bright magenta. Ryan Foerster in the Zabriskie Point group show at Jack Hanley.

Immigration folder as a vessel for identity. Joo Yeon Woo at A.I.R. Gallery.

A subway battle of García Márquez, Rand, and a Kindle. Reinier Gerritsen at Julie Saul.

Deconstruction via emulsion erosion. Eileen Quinlan in the Fictions group show at Derek Eller.