Converged composite images of tourist landmarks. Corinne Vionnet at Danziger.
A progression of overpainted pixelization. Jennifer Murray at Porter Contemporary.
Domestic nude in bright morning light. Sarah Kaufman at Porter Contemporary.
Her emulsion transfer on concrete pushed further. Letha Wilson in the Zabriskie Point group show at Jack Hanley.
Collaged elements in bright magenta. Ryan Foerster in the Zabriskie Point group show at Jack Hanley.
Immigration folder as a vessel for identity. Joo Yeon Woo at A.I.R. Gallery.
A subway battle of García Márquez, Rand, and a Kindle. Reinier Gerritsen at Julie Saul.
Deconstruction via emulsion erosion. Eileen Quinlan in the Fictions group show at Derek Eller.
Delicate androgyny paired with bloody brains. Heji Shin in the Spain and 42 St. group show at Foxy Production.
Finding formal elegance in online porn scenes. Darja Bajagić in the Spain and 42 St. group show at Foxy Production.
Disappearing portraits of life sentence prisoners, degraded by the number of years behind bars. Amy Elkins at Aperture.
Rethinking Lange’s Migrant Mother. Alec Soth in The Photographer’s Playspace at Aperture.
The passionate poses of male flamenco dancers. Ruven Afanador at Throckmorton.
Energetic multiple exposure smokestacks. Edward Quigley in the Art & Industry group show at Keith De Lellis.
A playful crisscross of lines. Vintage Vivian Maier at Howard Greenberg.
A gracefully layered, multiple exposure female nude. Edmund Teske at Gitterman.
A grid of intertwined body parts. Betty Tompkins in the Rear Window Treatment group show at Louis B. James.
Lazy sensuality and clashing patterns. Mickalene Thomas in the History group show at Bill Hodges.
Camera equipment as graphic design. In the kimono show at the Met.
Reclining nude with unkempt tulle. Carlo Mollino at Gagosian.
