Mayumi Hosokura with her new self-published photobook. At the Shashin Festival.

Geometric layers in large scale cyanotype. Erin Shirreff at Sikkema Jenkins & Co.

A darkly screeching crashed car abstraction. Ari Marcopoulos at Marlborough Chelsea.

Tree branches as musical notation. Athanasios Argianas at On Stellar Rays.

Yoshihiko Ueda’s A Life with Camera from Hatori at the Shashin Festival.

Ryuichi Kaneka talks about Takuma Nakahira’s For a Language to Come, 1970, at the Shashin Festival.

Special edition of Kikuji Kawada’s The Last Cosmology from Mack/Goliga at the Shashin Festival.

Recreated motifs of stylized masculinity. Luke Smalley at ClampArt.

The eloquent mix of indoor and outdoor in Kyoto’s temples. Jacqueline Hassink at Benrubi Gallery.

Light underneath the canopy of a hollow tree. Gustave Le Gray in the second floor hallway at the Met.

A swirling intermingled mix of painting and photography. Pieter Schoolwerth at Miguel Abreu.

Capturing the buoyant liveliness of Brooklyn. William Klein at Howard Greenberg.

Mothers and their marks of experience. Neil Selkirk at Howard Greenberg.

Controlling the sun with a hand gesture. Lilly McElroy at Rick Wester.

Stain paintings made from photographic emulsions. Garrett Pruter at Judith Charles.

The imperceptible movement of puddle shadows. Owen Kydd at Nicelle Beauchene.

The all-over touch of Xbox Kinect light beams. Assaf Evron at Andrea Meislin.

Tiborc, 1937, by Hungarian photographer Kata Kálmán. At the NY Antiquarian Book Fair.

Photobook dummy of Ed van der Elsken’s Sweet Life. At the NY Antiquarian Book Fair.

Taos Pueblo, 1930. Ansel Adams’ first photobook. At the NY Antiquarian Book Fair.