Mothers and their marks of experience. Neil Selkirk at Howard Greenberg.
Controlling the sun with a hand gesture. Lilly McElroy at Rick Wester.
Stain paintings made from photographic emulsions. Garrett Pruter at Judith Charles.
The imperceptible movement of puddle shadows. Owen Kydd at Nicelle Beauchene.
The all-over touch of Xbox Kinect light beams. Assaf Evron at Andrea Meislin.
Tiborc, 1937, by Hungarian photographer Kata Kálmán. At the NY Antiquarian Book Fair.
Photobook dummy of Ed van der Elsken’s Sweet Life. At the NY Antiquarian Book Fair.
Taos Pueblo, 1930. Ansel Adams’ first photobook. At the NY Antiquarian Book Fair.
Using a sheet of glass to flatten the body. Ana Mendieta in the De-Formations group show at Bruce Silverstein.
Nomads captured with nuanced Old Master styling. Pierre Gonnord at Hasted Kraeutler.
The protective stance of the US Army. Spider Martin in the Selma March 1965 group show at Steven Kasher.
A photograph of sculpture as a photographic sculpture. Jordan Tate at Denny Gallery.
A densely layered photomontage of nature, nudes, classical elements, and construction materials. John O’Reilly in the All back in the skull together group show at Maccarone.
Conceptual illusions in masking tape. Igor Eškinja at Scaramouche.
Changing perspectives and watercolor-like shimmers. Gary Indiana at Envoy Enterprises.
Lyrical two-body female nudes. Zanele Muholi in the Irreverent: A Celebration of Censorship show at the Leslie-Lohman Museum of Gay and Lesbian Art.
Mysterious TV screen snapshots of famous women. Type 42 (Anonymous) in the System and Vision group show at David Zwirner.
The ambiguity of blurred voyeurism. Miroslav Tichý in the System and Vision group show at David Zwirner.
The obsessive documentation of a 1960s affair. Günter K. at White Columns.
Ghostly fingers and wispy blue. Josh Brand at Rachel Uffner.
