The timeless cool of Joan Didion and her yellow Corvette Stingray. Julian Wasser at Danziger.
The soft melancholy of the back rooms of Versailles. Deborah Turbeville at Staley-Wise.
A lenticular collage of architectural geometries. Barry Gerson at Thomas Erben.
Fire marking the receding glacier edge. Simon Norfolk at Benrubi.
A mirror-combined familial embrace. Julianne Swartz at Mixed Greens.
Harmonies in orange and brown. Willis Hartschorn at Howard Greenberg.
A towering wave over a hand-crafted set. Jasper de Beijer at Asya Geisberg.
The radiating lines of rotting planks. Esko Männikkö at Yancey Richardson.
Seductively collapsed layers of bodies and food. Irina Arnaut in the Immediate Female group show at Judith Charles.
The jumbled folds of collaged sheets. Paul Loughney in the Domestic Ideals group show at Lesley Heller.
Elegant bullet shredded balloons. Harold Edgerton at Sikkema Jenkins.
The shadowy geometries of urban construction. Vera Lutter at Gagosian.
Overpainted slide enlargements from 1950s Japan. John David O’Brien at Causey Contemporary.
The glamour of lipstick prep. Steven Meisel at Phillips.
Chaotic layers of playful imagery. Ryan McNamara at Mary Boone.
Golden dots as dissolving qi. Shen Wei at Flowers.
The elusiveness of memory fragments. Rehan Miskci in the Lift Off group show at Fridman Gallery.
Nude reversals in white and black. Ferenc Berko in the Solarized group show at Nailya Alexander.
Angular gestures of manipulated light. László Moholy-Nagy at Andrea Rosen.
A confident take on vintage glamour. Marianna Rothen in the Pheromone Hotbox group show at Steven Kasher.
