Recreated motifs of stylized masculinity. Luke Smalley at ClampArt.

The eloquent mix of indoor and outdoor in Kyoto’s temples. Jacqueline Hassink at Benrubi Gallery.

Light underneath the canopy of a hollow tree. Gustave Le Gray in the second floor hallway at the Met.

A swirling intermingled mix of painting and photography. Pieter Schoolwerth at Miguel Abreu.

Capturing the buoyant liveliness of Brooklyn. William Klein at Howard Greenberg.

Mothers and their marks of experience. Neil Selkirk at Howard Greenberg.

Controlling the sun with a hand gesture. Lilly McElroy at Rick Wester.

Stain paintings made from photographic emulsions. Garrett Pruter at Judith Charles.

The imperceptible movement of puddle shadows. Owen Kydd at Nicelle Beauchene.

The all-over touch of Xbox Kinect light beams. Assaf Evron at Andrea Meislin.

Tiborc, 1937, by Hungarian photographer Kata Kálmán. At the NY Antiquarian Book Fair.

Photobook dummy of Ed van der Elsken’s Sweet Life. At the NY Antiquarian Book Fair.

Taos Pueblo, 1930. Ansel Adams’ first photobook. At the NY Antiquarian Book Fair.

Using a sheet of glass to flatten the body. Ana Mendieta in the De-Formations group show at Bruce Silverstein.

Nomads captured with nuanced Old Master styling. Pierre Gonnord at Hasted Kraeutler.

The protective stance of the US Army. Spider Martin in the Selma March 1965 group show at Steven Kasher.

A photograph of sculpture as a photographic sculpture. Jordan Tate at Denny Gallery.

A densely layered photomontage of nature, nudes, classical elements, and construction materials. John O’Reilly in the All back in the skull together group show at Maccarone.

Conceptual illusions in masking tape. Igor Eškinja at Scaramouche.

Changing perspectives and watercolor-like shimmers. Gary Indiana at Envoy Enterprises.