The careful gestures of a crowd of mannequins. Umbo in A Luta Continua. The Sylvio Perlstein Collection at Hauser & Wirth.
Layers of shadows on a pure white back. Man Ray in A Luta Continua. The Sylvio Perlstein Collection at Hauser & Wirth.
The telescoping concentric circles of a rayograph. Man Ray in A Luta Continua. The Sylvio Perlstein Collection at Hauser & Wirth.
Gloved hands painted by Picasso. Man Ray in A Luta Continua. The Sylvio Perlstein Collection at Hauser & Wirth.
Searching for just the right lampshade. Dan Weiner at Steven Kasher Gallery.
Constructed layers of seeing through, using Plexiglas sheets and a glass apple. Rose Marcus at Mitchell Algus Gallery, via Mary Mary Gallery as part of Condo New York.
The quiet sidewalk vulnerability of a child sitting in a chair. Sandra Weiner at Steven Kasher Gallery.
Turning an open mouth into a swirl of torment. Lucas Samaras at Craig F. Starr Gallery.
Chemical residues swirled into ephemeral crystal balls. Michelle Charles in the On the Periphery of Vision group show at Jane Lombard Gallery.
Intertwined bodies with a horror-film aesthetic. Sue de Beer at Marianne Boesky Gallery.
Peeling apart the traditions of the still life. Melanie Schiff in the Vanitas group show at Kate Werble Gallery.
Capturing a black cowboy in a rearing equestrian pose, echoing David’s Napoleon. Rory Doyle at the Half King.
Posts reflected in water like marks of calligraphy ink. Gerard Petrus Fieret in the Coast to Coast group show at L. Parker Stephenson Photographs.
The downward tilted angle and off kilter lines of a ship’s deck. Iwao Yamawaki in the Coast to Coast group show at L. Parker Stephenson Photographs.
The imposingly majestic texture of an ancient tree. Henri Le Secq in the Woodland Views group show at Hans P. Kraus Jr. Fine Photographs.
A vertical spectrum of 19th century landscape scale, from foreground water to far away mountain. Vernon Heath in the Woodland Views group show at Hans P. Kraus Jr. Fine Photographs.
The thinly elongated head of a Giacometti bust. Herbert Matter at Gitterman Gallery.
The silky texture of water droplets on an iris blossom. Alma Lavenson, from the early 1930s, at Deborah Bell Photographs.
The shadowy intimacy of a 1950s nude self-portrait. Walter Chappell at Deborah Bell Photographs.
Shadow play with outstretched legs and dangling fingers. Emi Anrakuji at Miyako Yoshinaga.
