A vertical spectrum of 19th century landscape scale, from foreground water to far away mountain. Vernon Heath in the Woodland Views group show at Hans P. Kraus Jr. Fine Photographs.
The thinly elongated head of a Giacometti bust. Herbert Matter at Gitterman Gallery.
The silky texture of water droplets on an iris blossom. Alma Lavenson, from the early 1930s, at Deborah Bell Photographs.
The shadowy intimacy of a 1950s nude self-portrait. Walter Chappell at Deborah Bell Photographs.
Shadow play with outstretched legs and dangling fingers. Emi Anrakuji at Miyako Yoshinaga.
Seeing the lyricism of shape and form in isolated icebergs. Olaf Otto Becker at ClampArt.
A sculpturally undulating surface covered in micrograph tiles. Antonia Kuo at Rubber Factory.
A cross section of America saying goodbye to RFK. Paul Fusco at Danziger Gallery.
An aerial view of land carved into polygons. David Maisel at Yancey Richardson.
Intermingling bold layers of colored transparency. David Mitchell at Jim Kempner Fine Art.
Bringing brash colors and bold geometries to African portraiture. Aïda Muluneh at David Krut.
Searching for balance between Mondrian, Picabia, a white box, and a Z word. John Baldessari at Marian Goodman.
Entwining a spectrum of fingers with dangling strings. Yeni & Nan at Henrique Faria Fine Art.
Interrupting a face with an oval mirror. Trine Søndergaard at Bruce Silverstein.
Inhabiting a tragic gesture. Hakeem Adewumi in the Refraction: New Photography of Africa and its Diaspora group show at Steven Kasher Gallery.
A totem pole of collaged black faces. Shawn Theodore in the Refraction: New Photography of Africa and its Diaspora group show at Steven Kasher Gallery.
Isolating an Addis Ababa basket vendor against an enveloping sea of purple. Girma Berta in the Refraction: New Photography of Africa and its Diaspora group show at Steven Kasher Gallery.
Turning walking bodies into dense arrays of linear markings. Michal Rovner at Pace Gallery.
Using the role of maid as an entry point for layers of tactile memory. Tracey Moffatt at Tyler Rollins Fine Art.
Using a still life assemblage to unpack cobalt blue. Mary Mattingly at Robert Mann Gallery.
