A wall of strong women on view in a former prison. Annie Leibovitz at the former Bayview Correctional Facility.

A dizzying mosaic of skyscrapers. Thurman Rotan in the Exceptional Exposures: 20th Century Photographs Online sale at Sotheby’s, ending 12/12.

The echoing tactile curves of body and succulent. Nobuyoshi Araki in the Implosion 20 group show at Anton Kern.

Graceful stone bending toward a spot of light. Constantin Brancusi in the Impasse Ronsin show at Paul Kasmin.

Hues of yellow as a unifying theme. Nan Goldin at Matthew Marks.

Bending space with grids of light. Otto Piene in The Serial Attitude at Eykyn Maclean.

Delicate silvery weeds against sweaty cardboard. Melanie Schiff at Kate Werble Gallery.

Photographic memories disrupted by swirls of glare. Jiro Takamatsu at Fergus McCaffrey.

Layers of obsolete interaction. Brandon Lattu at Koenig & Clinton.

Muscular aspirational soaring over Sunset Boulevard. Matthew Porter at Invisible-Exports.

Drowning in chocolate boxes, flanked by a painted brown echo. Elaine Stocki at Thomas Erben.

Connecting panty hose to rebar and rubble. Senga Nengudi in the Whatever moves between us also moves the world in general group show at Murray Guy.

1950s Lake Tahoe canoes in red, white, and blue. Slim Aarons at Staley-Wise.

A tender transgender search for moments of male bonding. Evan Schwartz at Postmasters.

Interrupting the city with cut away folds and collaged replacements. Julie Boserup at Sous Les Etoiles.

The exacting science of early x-rays. Josef Maria Eder and Eduard Valenta in the 11/18 auction at WestLicht.

Public transport and public fishing in late 1970s Los Angeles. Anthony Hernandez in the Prismes section of Paris Photo.

Extended billows of stretched imagery. Dinh Q. Lê in the Prismes section of Paris Photo.

A dense floor-to-ceiling installation of Issei Suda’s works in the Prismes section of Paris Photo.

Baja roadtrip images reflected in a motorcycle gas tank. Gonzalo Lebrija in the Prismes section of Paris Photo.