Adding faces to refugee camps via Instagram overlays. Tomas van Houtryve in the Perpetual Revolution show at the ICP.
The chained shackles of an escape artist. James Van Der Zee in the Perpetual Revolution show at the ICP.
Queer nightlife in ecstatic swirling light. Tinker Coalescing in the Perpetual Revolution show at the ICP.
Turning Kolkata tram cars into streaks of color. Martin Roemers at Anastasia Photo.
Red earth and the determined delicacy of a Rwandan child. Pieter Hugo at Yossi Milo Gallery.
The sensual interplay of leaves and a body. Flor Garduño at Throckmorton Fine Art.
Purple pants, Diet Pepsi, and a garment delivery sway. Helen Levitt in The Big Apple group show at Laurence Miller Gallery.
The soaring geometries of 1920s Penn Station skylights. Anton Bruehl in The Big Apple group show at Laurence Miller Gallery.
Seeing separation at the Coney Island beach. Ming Smith at Steven Kasher.
The minimal repetitions of topiaries and hedges. Luigi Ghirri in the 11th Annual White Columns Annual.
The layered self-portraits of social media profiles. Olia Lialina at The Kitchen.
The interrupting lines of wooden railings. Tosh Matsumoto in the book alcove at Howard Greenberg.
Inserting a face in among the knick knacks. Morris Engel in the book alcove at Howard Greenberg.
A tumble of flowers and the hint of a lip. Sid Grossman at Howard Greenberg.
Disco-era glam, with fake eyelashes, glitter lipstick, and flamboyant joy. Bill Bernstein at the Museum of Sex.
Surreptitious obsession, washed out into whispers. Miroslav Tichý in the Known/Unknown group show at the Museum of Sex.
The timeless symmetry of Hutterite girls on hay bales. Laura Wilson at Phillips.
Reconsidering the boundaries of composition via division and isolation. Gerhard Richter at Phillips.
Flares of light across a rainbow of car hoods. Jan Dibbets at Peter Freeman.
Cutting a ferry into a rotating spiral. Pol Bury in the Works on Paper 1813-2016 group show at Mitchell Algus.
