German bunkers rebuilt into shifting layers of cut-throughs and overpainting. Maria Martinez-Cañas and Rafael Domenech in the DIY: Made in the Studio group show at Julie Saul Gallery.
The resonant absence of empty monument pedestals. Matthew Shain in the 2018 Aperture Summer Open: The Way We Live Now group show at Aperture Gallery.
The eviction team packing up a white encrusted fake Christmas tree. Philip Montgomery in the 2018 Aperture Summer Open: The Way We Live Now group show at Aperture Gallery.
An eye-popping mix of influences in contemporary African fashion/culture. Bubblegum Club in the 2018 Aperture Summer Open: The Way We Live Now group show at Aperture Gallery.
Using overpainted signs and inscriptions to revisit 1968 protests. Marcelo Brodsky in the For Freedoms group exhibit at Henrique Faria Fine Art.
Cutting up photographic space with overlapped layers of physical construction. Vincent Fectau in the Dime-Store Alchemy group show at FLAG Art Foundation.
The pouncing gait of a running cat. Eadweard Muybridge at Laurence Miller Gallery.
A jittering disassembly of LCD screens and remnant imagery. Penelope Umbrico in the Screenscapes group show at Postmasters.
Combining a still life, a nude, and a portrait in a single frame. PaJaMa at Keith de Lellis Gallery.
A doubled 1950s nude with layered arms like butterfly wings. Kansuke Yamamoto at Taka Ishii Gallery New York.
Nestled within an improvised fort of sheets, towels, furniture, and layered geometric forms. Joanna Piotrowska in the Sculptures group show at Andrew Kreps Gallery.
Erasing victims from vintage lynching photos, turning attention toward perpetrators and crowds. Ken Gonzales-Day in the Orientation group show at Jack Shainman Gallery.
Reflected self-portrait poses in a bedroom mirror, unpacking self-criticism and artistic seeing. Carrie Mae Weems in the Orientation group show at Jack Shainman Gallery.
A provocative tangle of fabric limbs and real life amputations. Mari Katayama in the How Many Miles to Babylon? group show at Miyako Yoshinaga.
Shaping identity with a funky white car and a hand-painted frame. Malick Sidibé at Jack Shainman Gallery.
The doubling effect of Georgia O’Keeffe and walking sticks. Christian Jankowski at Petzel Gallery.
Having a massage master ease the tired muscles of a Rodin sculpture. Christian Jankowski at Petzel Gallery.
Digital marks, cut throughs, and pixelization layered with physical surface carving. Zach Nader in the Spirited Densities group show at Thomas Erben Gallery.
Wrestling with a paper cutout of herself. Jess Richmond in the DAYBREAK: New Affirmations in Queer Photography group show at Leslie-Lohman Museum.
The incongruous combination of pale fragility and wrestling headgear. Ryan James Caruthers in the DAYBREAK: New Affirmations in Queer Photography group show at Leslie-Lohman Museum.
