Tactile mist in the contested territories of Israel and Palestine. Jungjin Lee (from 2011) in the Anonymous Was a Woman: The First 25 Years group show at the Grey Art Museum.
The undulating lines of light and shadow on a window curtain, activated by a hand. Uta Barth (from 2012) in the Anonymous Was a Woman: The First 25 Years group show at the Grey Art Museum.
Interrogating memory by restaging the events in the aftermath of the Martin Luther King Jr. assassination. Carrie Mae Weems (from 2008) in the Anonymous Was a Woman: The First 25 Years group show at the Grey Art Museum.
Placing the artist’s own nude body in dialogue with the landscape. Laura Aguilar (from 1999) in the Anonymous Was a Woman: The First 25 Years group show at the Grey Art Museum.
Transforming a self-portrait into a bird-like persona. Dietmar Busse (from 2025) at FIERMAN.
“The Cat with the Wine-loving Whiskers”. Salvador Dali (from 1976-1977) in The Surrealist Collage: Where Dreams and Reality Meet at Di Donna Galleries.
Creating an underwater scene of fish and floating nudes. Nusch Éluard (from c1936) in The Surrealist Collage: Where Dreams and Reality Meet at Di Donna Galleries.
Spatial arrangements of bodies on the half shell. Roberto Matta (from 1936) in The Surrealist Collage: Where Dreams and Reality Meet at Di Donna Galleries.
A volcanic woman emerging from the lava. Paul Éluard (from 1932) in The Surrealist Collage: Where Dreams and Reality Meet at Di Donna Galleries.
The “unwilling hero” sitting on the couch while the barn burns. André Breton (from c1928) in The Surrealist Collage: Where Dreams and Reality Meet at Di Donna Galleries.
An indirect portrait via silhouette. Farah Al Qasimi (from 2017) in the A Rose Is group show at the FLAG Art Foundation.
Obscuring identity and amplifying femininity with a showy blossom. Linder (from 2012) in the A Rose Is group show at the FLAG Art Foundation.
The elusive forms of a nocturnal rose garden. Sarah Jones (from 2014) in the A Rose Is group show at the FLAG Art Foundation.
The floral arrangement from a sanctions-avoiding economic cooperation negotiation between Ecuador and Iran. Taryn Simon (from 2015) in the A Rose Is group show at the FLAG Art Foundation.
Collaged faces and a knife in the eye. James Rosenquist (from 2010) in the A Rose Is group show at the FLAG Art Foundation.
Imagery on acetate, shaped like a wrapped bouquet of flowers. Rebecca Cai (from 2025) in the Look Up: 2025 ICP Recent Graduates Exhibition at the International Center of Photography.
Capturing family as the shifting interplay of images and shadows. Jenny Yiyun Kuo (from 2025) in the Look Up: 2025 ICP Recent Graduates Exhibition at the International Center of Photography.
Down a long escalator into the New York subway system. Stephen Cummings (from 2024-2025) in the Look Up: 2025 ICP Recent Graduates Exhibition at the International Center of Photography.
Shadow play above an unmade bed. Gianni Civile (from 2025) in the Look Up: 2025 ICP Recent Graduates Exhibition at the International Center of Photography.
A reclining female nude taken in a 19th century brothel. William Goldman (from c1892) at Ricco Maresca Gallery.
