Inserting a mirror amid the wildflowers. Brea Souders in the Tiny Vices 20th Anniversary Exhibition at The Hole.
Wooden legs on a surreal nude. Asger Carlsen in the Tiny Vices 20th Anniversary Exhibition at The Hole.
Toppled garbage cans and an ominous message. Ed Panar in the Tiny Vices 20th Anniversary Exhibition at The Hole.
Sagging chain link fence in the falling snow. Gregory Halpern in the Tiny Vices 20th Anniversary Exhibition at The Hole.
Silhouetted figures assembling scaffolding like ninjas. Gus Powell in the Tiny Vices 20th Anniversary Exhibition at The Hole.
The jumping flames and saturated colors of a house on fire. Christian Patterson (from 2007) in the Tiny Vices 20th Anniversary Exhibition at The Hole.
Andy Warhol drowning in a soup can. George Lois (from 1969) in the My Amazing Friends group show at Jeffrey Deitch.
A pig in the dishwasher. Paige Powell (from 1989) in the My Amazing Friends group show at Jeffrey Deitch.
The swagger of 1990s era banjee girls. Cheryl Dunn (from 1996) in the My Amazing Friends group show at Jeffrey Deitch.
A table top still life crafted by the Spanish film director. Pedro Almodóvar (from 2019) in the My Amazing Friends group show at Jeffrey Deitch.
Playing with the idea of visualized sound, via the staging and interpretation of records. Shannon Ebner at Kauffman Repetto.
An altar-like arrangement of images with a long shelf of Okwui Enwezor’s publications. Carrie Mae Weems in the Landing (again) New York group show at Goodman Gallery.
A reflected portrait of a resident of the Chelsea Hotel. Claudio Edinger at Leica Gallery.
Attentive 1970s era portraits made in rented Los Angeles rooms. Penny Wolin at Leica Gallery. From the artist’s project Guest Register, reviewed here.
Satirical real estate offers for Mexican maquiladora workers. Fred Lonidier (from 1997) at Maxwell Graham Gallery.
Enlarging cardboard box forms into sculptural objects. Lucia Koch at Nara Roesler.
Conceptually straightening a bent tree branch. Allan Wexler (from 2015) at Jane Lombard Gallery.
Growing up in a culture of activist surveillance. Alice Proujansky (from 2019) at Baxter St at CCNY.
A subtle scale-like imprint in soft skin. Arda Asena at Baxter St at CCNY.
Pairing images of glacial rocks with marbled endpapers from atlases and expedition journals. Elena Damiani in the Speed of Stone group show at 601Artspace.
