February 4, 2019 Photographs of the artist’s hands as raw material for painterly geometric patterns. McArthur Binion at Lehmann Maupin. February 1, 2019 Beds placed outdoors echoing the fragile freedoms of the minority Uyghur people in Western China. Lisa Ross at Miyako Yoshinaga. January 31, 2019 Filtering Monet’s water lilies and adding distortions of time. Michele Abeles in the Pastoral (Grid and Drone) group show at 47 Canal. January 30, 2019 Projecting photographic slides on top of a floral watercolor. Ger van Elk at Grimm Gallery. January 29, 2019 Reducing architecture to primary geometries. Günther Förg at Hauser & Wirth. January 28, 2019 The unexpected graphic boldness of 19th century firing range targets. Hugo van Werden in the Anticipating the Modern group show at Hans P. Kraus Jr. Fine Photographs. January 25, 2019 Juxtaposing a future golf course with UNHCR tents and barbed wire. Mikhael Subotzky in the Borders group show at James Cohan Gallery. January 25, 2019 Rearranging puzzle pieces to create conflicted hybrid photographs. Hank Willis Thomas in the Borders group show at James Cohan Gallery. January 24, 2019 Burning family photographs to understand the erasure of memory. Fatemeh Baigmoradi in the GRACE: Gender-Race-Identity group show at Laurence Miller Gallery. January 23, 2019 A shadowy face off with his own sculpted bust. Jane Evelyn Atwood in the God Made My Face: A Collective Portrait of James Baldwin at David Zwirner. January 22, 2019 The overlapping graphic patterns of overhead fire escapes. Ferenc Berko in the 1947, Simone de Beauvoir in America group show at Sous Les Etoiles Gallery. January 18, 2019 Wispy dust encrusting a map of Hale County, Alabama. Andrew Moore at Yancey Richardson Gallery. January 17, 2019 Occupying a Brooklyn sidewalk like a street gang. Ka-Man Tse at Aperture Gallery. January 16, 2019 A spiraling twist of smoky light. Anthony McCall at Sean Kelly Gallery. January 15, 2019 Turing a repaired fence into a bold geometric silhouette. Bhupendra Karia at sepiaEye. January 14, 2019 The neighborliness of peeking over a fence with a wine glass. Katy Grannan in the At Home: In the American West group show at Aperture Gallery. January 9, 2019 Isolating the controlled swirl of Kim Novak’s hair in Vertigo. Jean Curran at Danziger Gallery. January 8, 2019 Turning salt production into steep angled Modernism. Harold Haliday Costain at Keith de Lellis Gallery. January 7, 2019 Using collaged imagery to construct a trance-like sense of euphoria. John O’Reilly at Tibor de Nagy. December 13, 2018 Scratch mark echoes and cut planes give an ordinary hook a dose of seething energy. Gerald Slota at Ricco/Maresca Gallery.