The glowing eyes of a white night cat person. Masaaki Miyazawa (from 1981) in the ICP at 50: From the Collection, 1845-2019 show at the International Center of Photography.
Reclining nude with long exposure light trails. Jimmy DeSana (from 1980) in the ICP at 50: From the Collection, 1845-2019 show at the International Center of Photography.
An abstract typology of tar droplets. Barbara Crane (from 1975) in the ICP at 50: From the Collection, 1845-2019 show at the International Center of Photography.
Launching rocks at an oncoming armored vehicle. Gilles Peress (from 1972) in the ICP at 50: From the Collection, 1845-2019 show at the International Center of Photography.
A sea of extended handshakes and grasping arms. Cornell Capa (from 1960) in the ICP at 50: From the Collection, 1845-2019 show at the International Center of Photography.
Dangling textural ribbons of silk drying in the wind. Werner Bischof (from 1951) in the ICP at 50: From the Collection, 1845-2019 show at the International Center of Photography.
Installing exuberant floral bouquets like street art. Lewis Miller (from 2021) in the Human/Nature group show at Fotografiska.
Adding a forest to a sleek urban environment. Yan Wang Preston (from 2017) in the Human/Nature group show at Fotografiska.
Immersed in tangle of tiny daisies. Cig Harvey (from 2019) in the Human/Nature group show at Fotografiska.
Cut through shadow play with David Bowie. Frank Ockenfels at Fotografiska.
A sinuous amalgamation of plant forms and personal/historical imagery from colonial Cameroon. Josèfa Ntjam (from 2023) at Fotografiska.
Lyrical disruptions created with layered mirror fragments. David Seidner (from 1986) at the ICP.
Before and after images of a former Chinese Red Guard member, tracing the contours of memory. Hai Bo (from 2000) in the Don’t Forget to Call Your Mother group show at the Met.
A photogravure of staged Filipino culture (from the 1904 World’s Fair), crumpled to obscure the subject. Stephanie Syjuco (from 2021) in the Don’t Forget to Call Your Mother group show at the Met.
The Blackness of mother/daughter connection, as seen in a hair products ad. Hank Willis Thomas (from 1971/2008) in the Don’t Forget to Call Your Mother group show at the Met.
A hanging cluster of intermingled body parts. Annette Messager (from 1990) in the Don’t Forget to Call Your Mother group show at the Met.
A bathrobe still life, as a reminder of a first love. Sophie Calle (from 1988-1989) in the Don’t Forget to Call Your Mother group show at the Met.
The collaged form of a young girl, where the coherence of a body is violently rearranged. Deborah Roberts (from 2017) in the Century: 100 Years of Black Art at MAM group show at the Montclair Art Museum.
A dense diorama of suburban signifiers, with family possessions tossed into jumbled chaos. Wardell Milan (from 2008) in the Century: 100 Years of Black Art at MAM group show at the Montclair Art Museum.
Layering glitched forests in Ghana, statuary in Parisian gardens, and a swirl of celestial sky. Todd Gray (from 2019) in the Century: 100 Years of Black Art at MAM group show at the Montclair Art Museum.
