Picking the poppies from John Steinbeck’s East of Eden. Pipo Nguyen-duy at CLAMP.
A ship located in the curve an anchor. Leo Matiz (from 1952) in the 30 Years group show at Westwood Gallery.
The shadowy geometries on an underground NYC tunnel. Margaret Morton (from c1995) in the 30 Years group show at Westwood Gallery.
The linked arms of an Algerian studio setup. Lazhar Mansouri (from c1960s) in the 30 Years group show at Westwood Gallery.
Surface paint and embroidery atop a photographic setting. Joana Choumali (from 2023) in the 50 Years group show at Sperone Westwater.
Creating an echo of water line. Richard Long (from 2010) in the 50 Years group show at Sperone Westwater.
The tactile simplicity of Robert Frank’s coffee pot. Paolo Roversi (from 2021) at Pace Gallery.
Puzzle pieces falling like rubble to reveal a faded vision of the land underneath. Carlos Garaicoa (from 2022) in the 30×30 group show at Jane Lombard Gallery.
Passing sunlight in the artist’s perforated “Sun Tunnels”. Nancy Holt (from 1976) at Sprüth Magers.
A sleeping Jean Eustache, isolated and vulnerable. Alix Cléo Roubaud (from 1979-1982) at Galerie Buchholz.
Displays of armor as entrenched representations of violence. Zoe Leonard (from 1991/2025) at Maxwell Graham.
Juxtaposing images of hunting blinds and infrared animal sightings with personal ads, mixing predator and prey. Sophie Calle at Paula Cooper Gallery.
The massively enlarged violence of an ad for shooter’s earmuffs. Cady Noland at Gagosian Gallery.
Adding rocky bulk to the Pont Neuf in Paris. JR (from 2024) in the bookshop at Perrotin.
Vertical bands of urban texture, augmented by silkscreen. Rhea Karam (from 2025) in the bookshop at Perrotin.
Texturally screening an elongated body. Ren Light Pan (from 2025) at Lyles & King.
Using the matboard to isolate Cyd Charisse’s eye. Sissi Farassat (from 2025) at Edwynn Houk Gallery.
A crumpled, layered, textural concoction of natural imagery, steel, and concrete. Letha Wilson (from 2025) in A Shell of the Sea of the Past at Klaus von Nichtssagend Gallery.
Re-imagining Seydou Keïta’s man with a flower, with a retroreflective collage of historical protest. Hank Willis Thomas at Jack Shainman Gallery.
The tactile geometries of vintage photo packaging. Erica Baum in the Now’s Your Chance group show at Bureau.
