A glowing red floor, in moments separated by a few seconds. Eve Sonneman at Nohra Haime Gallery.
Finely bent reflections in blown glass. Sonya Noskowiak in the Nocturne group show at Shin Gallery.
Subtleties of delicately smooth texture. Imogen Cunningham in the Nocturne group show at Shin Gallery.
Playful salesmanship in 1970s Tribeca. Allan Tannenbaum in The Tribeca Show at Apexart.
Images of bodega flowers sewn into a flowing AIDS memorial dress. Hunter Reynolds at PPOW Gallery.
A suavely surreal portrait of Tilda Swinton. Duane Michals at DC Moore Gallery.
Tinted cutouts and printed texts in layers of revolutionary politics. Baseera Khan at Simone Subal Gallery.
Stone sculpture bound by tethers and chains. Viviane Sassen in a paired show with Moshekwa Langa and Portia Zhavahera at Andrew Kreps Gallery.
Layers of orbs and arcs in delicate luminogram abstractions. Mike Jackson in the back room at Foley Gallery.
Building narratives from expressively blurred diptychs. Tracey Moffatt at Tyler Rollins Fine Art.
Stopping time via photographic TV transfers to canvas. Mario Schifano at Nathalie Karg Gallery.
Chance-driven chemigram residues in soft pink. Ryan Foerster at Baxter St. at CCNY.
Arching her body around a curve of pavement. Valie Export in Artist’s Choice: Amy Sillman at MoMA.
Reimagining the shape of her body, almost like an ankh. Senga Nengudi in Artist’s Choice: Amy Sillman at MoMA.
Reimagining museum display space with folding screens. Dayanita Singh in the Surrounds group show at MoMA.
Integrating physical objects and layers of imagery. Sadie Benning in the Surrounds group show at MoMA.
Pressed up against the glass in the Tokyo subway. Michael Wolf at Bruce Silverstein Gallery.
Following a wooden boardwalk into rusty hills. Maroesjka Lavigne at Robert Mann Gallery.
Using shadow and light to divide an urban scene. Valérie Six in the Female in Focus group show at United Photo Industries.
Weary Australian “meter maids” on a break. Fiona Morris in the Female in Focus group show at United Photo Industries.
