The opposing directions of walking boots and moving ducks. Eleanor Antin (from 1971-1973/2005) in the See You Tomorrow Under Other Skies group show at Andrew Kreps Gallery.
Turning a body into a landscape with gestural pastel interventions. Binta Diaw (from 2025) in the See You Tomorrow Under Other Skies group show at Andrew Kreps Gallery.
Bringing painterly gesture and mystery back to Polaroid photographs. Evan Jorgensen at Nino Mier Gallery.
A color study at the bus depot. Frank Paulin (from 2006) at Bruce Silverstein Gallery.
Identity obscured by black gingham. Wawi Navarroza (from 2023) in the SALON group show at Silverlens.
Adding expressive overpainting to embellish the magic of a carnival. Ming Smith (from 1991) in the Follow Through group show at Nicola Vassell Gallery.
Equating the female body with cold meat. Martha Rosler (from c1966-1972) in the “For it is our battle” group show at Galerie Lelong.
The warm positivity of Jerry Garcia in doubled stripes. Ron Rakow (from 1967) in An American Beauty: Grateful Dead 1965–1995 at David Kordansky Gallery.
A reflective parallelogram, with subtle silver gelatin mottling. Liz Deschenes (from 2026) in the Deep Play group show at Greene Naftali Gallery.
Yosemite Falls, with fishermen for scale. Charles Weed (from 1865) in the Manifest and Sublime group show at Yancey Richardson Gallery.
A dense crowd thronged underneath the spray of Old Faithful. Binh Danh (in a daguerreotype from 2016) in the Manifest and Sublime group show at Yancey Richardson Gallery.
A cast shadow like a mountain range. Robert Adams (from 1978) in the Manifest and Sublime group show at Yancey Richardson Gallery.
The illusionism of a camper mural. David Hilliard (from 2013) in the Manifest and Sublime group show at Yancey Richardson Gallery.
Spatial arrangements in alternate color tints. Louise Lawler (from 1994) in the In Solidarity: A Benefit for the American Immigration Council and Journey’s End Refugee Services group show at David Zwirner.
Layers of geometric patterns in a shadowed hallway. Koji Enokura (from 1972) in The Expanded Field of Mono-ha at Fergus McCaffrey.
Childhood swings interrupted by glare, making memory semi-illegible. Jiro Takamatsu (from 1973) in The Expanded Field of Mono-ha at Fergus McCaffrey.
A gridded array of torn sheet paper pads, remnants of the artistic process. John Waters (from 2009) in the Paper Trail group show at Marianne Boesky Gallery.
Quietly practicing in the after hours light of the church. Cinthya Santos Briones at Baxter St at CCNY.
Playing an idealized feminine self at the Palm Court at the Plaza Hotel. Martha Wilson (from 1973) in the Strip group show at PPOW Gallery.
A peony still life on tactile white drapery. Sara Cwynar (from 2024) in the Touch Grass group show at Perrotin.
