The quiet grace of tender attention. Jess T. Dugan in the 2017 Aperture Summer Open: On Freedom at Aperture Gallery.
A stare mixing confidence and wary vulnerability. Maureen Drennan in the 2017 Aperture Summer Open: On Freedom at Aperture Gallery.
The twisted inversions of a headstand. Farah Al Qasimi in the Discursive Selves group show at Westbeth Gallery.
Divided by the vertical slices of a ceiling mirror. Nicolas Bloise in the Discursive Selves group show at Westbeth Gallery.
The pastel shards of an exploding rose. Martin Klimas in the Gardens on Orchard group show at Foley Gallery.
Rethinking crashing waves in the context of swirling wood grain. Clifford Ross at Ryan Lee Gallery.
Finding ghosts of the universe in obsolete technology. Taezoo Park in the From Digital and Back group show at the Pratt Manhattan Gallery.
Ephemeral impressions of a shiny masquerade. Aleya Lehmann Bench in the Exhibition Lab Exhibition at Foley Gallery.
Using rocks to explore exhausting physical intensity. Alex Gencarelli in the Where Water Comes Together (RISD 2017 MFA Photo) show at ClampArt.
Sinuous nude self-portraits nestled into natural forms. Margaret Kristensen in the Where Water Comes Together (RISD 2017 MFA Photo) show at ClampArt.
The fractured facets of cracked glass. Frank Thiel in the Selected group show at Sean Kelly Gallery.
Rethinking Yves Klein’s jump in Japan. Yasumasa Morimura in the Selected group show at Sean Kelly Gallery.
Reacting to cancer with incisive self portraits. Jo Spence at Shin Gallery.
The formal elegance of a sugar cone. Neil Winokur in the I Scream, You Scream group show at Robert Mann Gallery.
Flattening the layers of planes in Frank Lloyd Wright’s Fallingwater. Ezra Stoller at Yossi Milo Gallery.
A human taxonomy of ten years of elapsed time. Micah Lexier in The Coffins of Paa Joe and the Pursuit of Happiness group show at Jack Shainman Gallery.
Seductive light and shimmery lip gloss. Tobias Zielony in the I Plan to Stay a Believer group show at Andrew Kreps Gallery.
The view from an MTA platform box. Jill Magid in the FEEDBACK group show at Marlborough Contemporary.
Reversing catcalls with photographs. Laurie Anderson in the FEEDBACK group show at Marlborough Contemporary.
Turning the stars and stripes into a torture hood. Hans Haacke in the Visual Notes for an Upside-Down World group show at PPOW Gallery.
