Dissolving into a leopard print counter. Weronika Gesicka in the SHE group show at Elizabeth Houston Gallery.

Shimmering black and white iterations of architectural forms. Dayanita Singh in the Celebrating Geoffrey Bawa group show at Callicoon Fine Arts.

The elemental geometries of dyed-edge paperbacks. Mary Ellen Bartley at Yancey Richardson Gallery.

Interlocked perceptions of a quiet moment. David Hilliard at Yancey Richardson Gallery.

Taking on carefully calibrated roles on a cross country road trip. Elsa & Johanna (at Galerie La Forest Divonne) in the CURIOSA section of Paris Photo 2019.

Extended experimentation with the rich tones of red. Marguerite Bornhauser (at Galerie Madé) in the CURIOSA section of Paris Photo 2019.

Sewing photographic fabrics into overlapped layers. Zohra Opoku (at Mariane Ibrahim) in the PRISMES section of Paris Photo 2019.

Marking time by following the geometries of striped light cast across a building wall. 1970s era Yannig Hedel (at Galerie Thierry Bigaignon) in the PRISMES section of Paris Photo 2019.

The scathingly absurd combination of smiling selfie takers and war zone rocket tracers. Martha Rosler in the Fondation A Stichting group show Fragments at Paris Photo 2019.

Tracing the textural patterns of bricked up doors and windows. Late 1970s images by the Chilean photographer Jaime Villaseca in the Fondation A Stichting group show Fragments at Paris Photo 2019.

Removing Marilyn Monroe from George Barris’ beach portraits. Paul Pfeiffer at Paula Cooper Gallery.

A Japanese hotel room, eight days before the end of a love affair. Sophie Calle at Paula Cooper Gallery.

An impossibly clean, and eerily quiet panoramic view of the Met. Marc Yankus at ClampArt.

A gallery-filling installation of cyanotypes, documenting a year’s worth of artistic tools. Walead Beshty at Petzel Gallery.

Tracking a shadow across the face of the moon. Luca Missoni at Benrubi Gallery.

Carving elemental maternal forms directly into limestone cave walls. Ana Mendieta (from the Rupestrian Sculptures series) at Galerie Lelong.

Activating Marsden Hartley’s original with interlocked layers of physical depth. Vik Muniz at Sikkema Jenkins & Co.

A taxonomy of banned Chinese books, each “measured” by a ruler. Xiaoze Xie at the Asia Society.

A subversively contemporary reimagining of traditional sensual entertainments. Wang Qingsong in the lobby at the Asia Society.

Silhouetted forms in machined grandeur. Otto Steinert in the Photographs from the Paul Sack Collection group show at Deborah Bell Photographs.