Ghostly fingers and wispy blue. Josh Brand at Rachel Uffner.
Brash nude body geometries. Ren Hang at Capricious 88.
The tangled limbs of street hockey. Eliot Elisofon at Gitterman.
A workers’ alphabet of sugar cane stalks. Jonathas de Andrade at Alexander and Bonin.
Snowy flatness amid a seaside blizzard. Boomoon at Flowers Gallery.
An eerie mannequin hand poking through the plate glass. Lynn Hershman Leeson at Bridget Donahue.
The ghostly photogram traces of sleep. Lamia Joreige at Taymour Grahne.
Stately interiors disrupted by slashing re-collage. Matthew Conradt at Muriel Guépin.
Waves of intricately woven imagery. Lala Abaddon at Castor Gallery.
Drying laundry under an impossibly ornate chandelier. Michael Eastman at Edwynn Houk.
A burst of flash as a physical force. Michael Snow at Jack Shainman.
A plastic bag full of brash, youthful energy. Lin Zhipeng in The Chinese Photobook at Aperture.
Odermatt-like earnestness from the Traffic Police. In The Chinese Photobook at Aperture.
Bringing photographic flatness to hand molded sculpture. Rachel de Joode at KANSAS.
Anguish transformed into blinding light. Alfredo Jaar at Galerie Lelong.
Rethinking the carnival cutout as sculptural photography. Jakob Kolding at Team.
The timeless cool of Joan Didion and her yellow Corvette Stingray. Julian Wasser at Danziger.
The soft melancholy of the back rooms of Versailles. Deborah Turbeville at Staley-Wise.
A lenticular collage of architectural geometries. Barry Gerson at Thomas Erben.
Fire marking the receding glacier edge. Simon Norfolk at Benrubi.
