Layers of textures in a Guatemalan street. Mario Algaze at Throckmorton Fine Art.

Hiding in among the mannequins. Martín Gutierrez at Ryan Lee.

Daisuke Yokota applies acetic acid to his images. At the Shashin Festival.

Polaroid prints from Takashi Homma’s camera obscura. At the Shashin Festival.

Mayumi Hosokura with her new self-published photobook. At the Shashin Festival.

Geometric layers in large scale cyanotype. Erin Shirreff at Sikkema Jenkins & Co.

A darkly screeching crashed car abstraction. Ari Marcopoulos at Marlborough Chelsea.

Tree branches as musical notation. Athanasios Argianas at On Stellar Rays.

Yoshihiko Ueda’s A Life with Camera from Hatori at the Shashin Festival.

Ryuichi Kaneka talks about Takuma Nakahira’s For a Language to Come, 1970, at the Shashin Festival.

Special edition of Kikuji Kawada’s The Last Cosmology from Mack/Goliga at the Shashin Festival.

Recreated motifs of stylized masculinity. Luke Smalley at ClampArt.

The eloquent mix of indoor and outdoor in Kyoto’s temples. Jacqueline Hassink at Benrubi Gallery.

Light underneath the canopy of a hollow tree. Gustave Le Gray in the second floor hallway at the Met.

A swirling intermingled mix of painting and photography. Pieter Schoolwerth at Miguel Abreu.

Capturing the buoyant liveliness of Brooklyn. William Klein at Howard Greenberg.

Mothers and their marks of experience. Neil Selkirk at Howard Greenberg.

Controlling the sun with a hand gesture. Lilly McElroy at Rick Wester.

Stain paintings made from photographic emulsions. Garrett Pruter at Judith Charles.

The imperceptible movement of puddle shadows. Owen Kydd at Nicelle Beauchene.