Rakishly angled hats and plenty of swagger. Mike Disfarmer in the Slaves of Mimesis group show at Steven Kasher.
A typology of roadkill. Robert Kinmont at Alexander and Bonin.
The dark hollows of Okinawa’s limestone caves. Osamu James Nakagawa at Sepia Eye.
Mud and milkweed as portrait embellishments. Bear Kirkpatrick in the All the World’s a Stage group show at Daniel Cooney.
Flattened textures in brick. Marc Yankus at ClampArt.
The pure blown whiteness of Icelandic snow. Maroesjka Lavigne at Robert Mann.
Intricate shadow patterns on ice. Kiyoji Otsuji at hpgrp Gallery.
Magical shadows in the LA night. Bas Jan Ader in the Lone Tree group show at Marlborough Chelsea.
Syrian rebels illuminated by a shaft of light. Jonathan Alpeyrie at Anastasia Photo.
Spectral x-rays of sculptural antiquities. David Maisel at Yancey Richardson.
Portraits softened by rephotographed interruptions/tints. Alex Rose at Envoy Enterprises.
Elemental architectural forms, mixing sculpture, photography, and hand-worked detailing. Allan Wexler at Ronald Feldman.
Restaging Cindy Sherman with misguided absurdity. James Franco at Pace.
The artist with bird wings. From the Lucas Samaras: Offerings from a Restless Soul show at the Met.
Delicate dandelions in turn of the century platinum. Frederick Evans in the second floor hallway at the Met.
The uncertain connections of rephotographed magazine spreads. Peter Coffin at Half Gallery.
The forlorn loss of a balloon let go. Gianni Ranati in the Mid-Century Postwar Italian Photography show at Keith De Lellis.
The balanced proportions of a tiered Italian garden. Lawrence Beck at Sonnabend.
Portraiture as an intentional clash of patterns. Vintage Malick Sidibé at Jack Shainman.
The flattened geometries of a filled in swimming pool. Clay Ketter at Sonnabend.
