Visual uncertainty via lenticular combination. Melanie Gilligan at Bortolami.

Landscape recast as layered installation. Tiffany Tate at the On Being Solid group show at Mixed Greens.

Contact sheet from The Last Resort. Martin Parr in the Magnum Contact Sheets show at Milk Gallery.

Textural cracks and bumps raised into three dimensions. Ethan Greenbaum in the Personal Prehistories group show at Scaramouche.

The infinite path of a rubber band. Rishad Mistri in the Six Features group show at Robert Miller.

The muted curves of Djenné mud. Carrie Mae Weems in The Shape of Things at Jack Shainman.

Collapsed magazine pages rethinking Heinecken. Irina Arnaut at Martos Gallery.

Legs and arms in intertwined white. Sally Mann at Artnet Auctions.

Lying objects with legs splayed. Laurie Simmons in the Objects & Fictions group show at Senior & Shopmaker.

Traced outlines of her own works, rescaled. Louise Lawler at Metro Pictures.

Using Koons to teach Buddhism. Araya Rasdjarmrearnsook in the Signs, Symbols, Stories group show at Tyler Rollins.

Bloody drips over layered imagery. Lyle Ashton Harris in the Vintage Violence group show at Monya Rowe.

Cycads wrapped in surreal telescoping winter coverings. Bianca Sforni at Miyako Yoshinaga.

Tiny painted dots over Brandt’s eye of Giacometti. Sebastiaan Bremer at Edwynn Houk.

A confusing tangle of decorated body parts. Kim Joon at Sundaram Tagore.

Dense hand alterations transform found photographs. Emerson Cooper at Muriel Guépin.

An absorbing procession of fanciful staged performances. Kahn & Selesnick at Yancey Richardson.

A surreal parade of contrasting hands. Horst P. Horst at Artnet Auctions.

Incongruous hand colored street wrestling. Elaine Stocki at Thomas Erben.

Overlapped layers of frames. Christopher Rauschenberg at Laurence Miller.