Boombox, spray cans, and attitude. Martha Cooper in the Hip-Hop Revolution show at the Museum of the City of New York.
Flava Flav with stopwatch. Janette Beckman in the Hip-Hop Revolution show at the Museum of the City of New York.
The eerily perfect aerial geometries of suburban LA. Jeffrey Milstein at Benrubi Gallery.
A swirled abstracted mix of photography/painting. Eric Cahan at Benrubi Gallery.
An anti-typology of backs of heads. Anouk Kruithof in the window at Four A.M.
Self portraiture in tiled fragments. Paul Mpagi Sepuya in the A Room of One’s Own group show at Yancey Richardson.
A layered rock star photogram. Farrah Karapetian in the Wonderful Lies group show at Danziger.
A network diagram of phone conversations. Stephen Willats in the English Summer group show at Elizabeth Dee.
Self portrait in latex, Burberry, and LED rope. Parker Ito in the EVERYTHINGS group show at Andrea Rosen.
Abstracted sports car surfaces. Thomas Demand in the Space Between group show at FLAG Art Foundation.
Slashingly sinuous roadway curves. Andreas Gursky in the Space Between group show at FLAG Art Foundation.
Interwoven layers of 3D rendered landscapes. Brenna Murphy in the All Watched Over group show at James Cohan.
Textural laser-cut perforations echoing leafy ferns. Charlotte Prodger in The Secret Life group show at Murray Guy.
Ominous crime scene flowers. Alejandro Cesarco in The Secret Life group show at Murray Guy.
Using incisions to disassemble a test track photo. David Maljkovic at Metro Pictures.
A dizzying torrent of photocollage letters. Olaf Breuning at Metro Pictures.
Slashing layers of reused imagery. Michele Abeles on a billboard across from the Whitney.
Complex angles/shadows in a 19th century farmyard. Paul Emile Mares from the collection of Jay McDonald at Hans P. Kraus Jr. Fine Photographs.
Disorienting two frame simultaneity. Barbara Probst in the Passing Leap group show at Hauser & Wirth.
Physical depth in a double layered abstraction. Sara VanDerBeek in the Passing Leap group show at Hauser & Wirth.
