Strips of images embedded in layers of kiln-formed glass. Sara Greenberger Rafferty at Rachel Uffner Gallery.
A swirling vortex of angular painted fragments. Paintings (not photographs) by Irving Penn at Pace Gallery.
Tinting the formal densities of the Hawaiian jungle. Yojiro Imasaka at Miyako Yoshinaga.
The rugged textures of a canvas tent and rocky mesas. Hannes Schmid at Mitchell Algus Gallery.
The unlikely form of a sinuously flexible hammer. João Maria Gusmão and Pedro Paiva at Andrew Kreps Gallery.
Using leaves, pigment, and sun to create massive natural photograms. Sam Falls at 303 Gallery.
The seen and unseen in mirrored protest imagery. Hồng-Ân Trương at Rubber Factory.
Somberly probing the layered trauma of 9/11. Frederic Riskin at Ronald Feldman Gallery.
A lively frieze of scanned edges, color filters, and mirrored distortions. Eileen Quinlan at Miguel Abreu Gallery.
1890s brothel portraits, predating EJ Bellocq. William Goldman at Ricco/Maresca Gallery.
Reimagining North Korean soldiers with more human complexity. Park Chan-Kyong at Tina Kim Gallery.
A gathered pile of torn image scraps, like an excavation. Matthew Jensen in the Interventions group show at Yancey Richardson Gallery.
Turning a portrait arrangement into layers of cut shards. Mickalene Thomas in the Interventions group show at Yancey Richardson Gallery.
An endless Escher-like maze of stair climbing. Judith Stenneken in the yes no maybe group show at Flowers Gallery.
Echoes of blurred softness. Paolo Roversi in the Pairs group show at Pace/MacGill Gallery.
The dense interplay of rainbows, mirrors, and curved geometries. Anastasia Samoylova in the DIY: Made in the Studio group show at Julie Saul Gallery.
German bunkers rebuilt into shifting layers of cut-throughs and overpainting. Maria Martinez-Cañas and Rafael Domenech in the DIY: Made in the Studio group show at Julie Saul Gallery.
The resonant absence of empty monument pedestals. Matthew Shain in the 2018 Aperture Summer Open: The Way We Live Now group show at Aperture Gallery.
The eviction team packing up a white encrusted fake Christmas tree. Philip Montgomery in the 2018 Aperture Summer Open: The Way We Live Now group show at Aperture Gallery.
An eye-popping mix of influences in contemporary African fashion/culture. Bubblegum Club in the 2018 Aperture Summer Open: The Way We Live Now group show at Aperture Gallery.
