Spinning Muybridge into animated motion. Eric Dyer at Ronald Feldman Gallery.
Mimicking digital overload with stuttering frames, pattern fragments, and a wandering edge. Liu Shiyuan at Tanya Bonakdar Gallery.
Adding trellised vines to a painted pine tree. Marina Pinsky at 303 Gallery.
Finding visual balance in a torn image collage. Scott Treleaven at Invisible-Exports.
A lively frieze of park bench gestures. Classic Garry Winogrand in A New Vision: American Photography After the War at Howard Greenberg Gallery.
The austere simplicity of drainpipe, panel, and door. Lewis Baltz in A New Vision: American Photography After the War at Howard Greenberg Gallery.
Making timeshifted connections by Photoshopping a newborn into a young grandmother’s arms. Laurel Nakadate at Leslie Tonkonow Artworks +Projects.
Architecture melting into simmering laser cut fragments. Felicity Hammond in the Rendered Cities group show at Apexart.
The textural shadows of a male nude. Mark Morrisroe at ClampArt.
Artist and prostitute exchanging roles. Early Marina Abramović at Sean Kelly Gallery.
Unlocking the geometric abstraction of cardboard exposure guides. Andy Mattern at Elizabeth Houston Gallery.
Doing the splits at the Empire Roller Disco. Patrick D. Pagnano at Benrubi Gallery.
Turning New Jersey energy infrastructure into geometric abstraction. Jeffrey Milstein at Benrubi Gallery.
Bringing colored smoke and a female presence to the unforgiving desert. Judy Chicago in the Guarded Future group show at Downs & Ross.
Interweaving clarity and dotted mesh blur. Vikky Alexander and Ellen Brooks in the Guarded Future group show at Downs & Ross.
Impossibly tagging along with a fighter jet. Li Wei at Galerie Richard.
Shimmery scanner refractions as vinyl floor covering. Anne Vieux at The Hole.
Acting out the life of Jesus in the Louisiana State Penitentiary. Deborah Luster in the Prison Nation group show at Aperture Gallery.
Following the undulating cloud of a flock of digital starlings. Desiree Dolron at GRIMM Gallery.
Mixing sculptural depth, geometric form, and photographic realism. Bill Beckley at Albertz Benda.
