Jason Salavon diptych of imagery returned in web search of 100 most positive/negative words in English. At Ronald Feldman Gallery.
Gorgeous 1931 Edward Steichen of the George Washington bridge. In the From the Archive Part II show at Staley-Wise Gallery.
Lots of well-edited photography on the walls of trhe Gotham Bar and Grill. Here’s a mural sized Vera Lutter above the tables.
A delicate Japanese meadow from Darren Almond’s Fullmoon (long exposure, night looks like day) series. At Matthew Marks.
Terrific Avedon from In The American West tucked in a side room off the lobby at the Peninsula Hotel.
Conceptual rephotography: Sherrie Levine’s rework of August Sander at Paula Cooper.
Crisply detailed Edouard Baldus images of the construction of the New Louvre circa 1855 at Fred Torres.
Louis Stettner’s Chrysler Building interrupted by the AMC Theatres neon sign. In a side room at Bonni Benrubi.
Tactile lemons and pomegranates in Paulette Tavormina’s painterly still life study at Robert Mann.
An unpublished book maquette by David “Chim” Seymour in the second gallery at Howard Greenberg.
Ghostly crowds of pilgrims on the beach at Rameswaram. Kenro Izu at Howard Greenberg.
Lovely 19th century floral study of poppies by Charles Aubry, in the back room at Robert Mann.
Leigh Ledare’s stained pink ceiling in the Nevermore group show at On Stellar Rays.
The gridded geometric lines of Ezra Stoller’s 1950 DuPont chemical plant. At Yossi Milo.
A layered composition of red pillows, a mirror, and hula-hooping on grandma’s bed. Katrina del Mar at Participant.
The wispy, twisting, black lines of doubled rose twigs. Dirk Stewen at Tanya Bonakdar.
Sculptural combinations of photographic scrims, probing transparency and reflection. Sabine Hornig at Tanya Bonakdar.
Fragmented, interrupted, portrait reflections in black and white by Hrvoje Slovenc at Helac Fine Art.
Back of the cab video short: Ryan McGinley’s red headed city runner.
Book jacket photography – an Adam Fuss water baby photogram.
