Bloody presidential politics in 1980s Panama, as covered by Ron Haviv. In a student curated show at Milbrook School.
Shadowy dappled light portrait of a blind schoolboy in Sierra Leone. Tim Hetherington at Yossi Milo.
Massive aspirational branding as a backdrop for everyday urban life. Natan Dvir at Anastasia Photo.
Bert Stern shooting David Bailey shooting Veruschka for Vogue in 1961. At Staley-Wise.
A kissing couple snapshot digitally split and restitched. Nikolai Ishchuk in the project room at Denny Gallery.
An elegantly jumbled kitchen sink of still life forms and shadows. Margaret Watkins at Robert Mann.
Reinterpreting found 19th century glass plate negatives of Venetian antiques. F&D Cartier at Hous Projects.
Tiny figures dwarfed by the massive reflective presence of the Echo satellite/balloon. Exhibition Space at Apexart.
Everyday Iraq seen through the porthole of a Humvee. Great intruding stair-step steel bar. Benjamin Lowy at Gasser Grunert.
The male body iteratively fragmented into spheres, cones, and flat abstractions. Duane Michals at DC Moore Gallery.
Melissa Cacciola’s modern military tintypes at United Photo Industries are a smart foil for the Met’s Civil War show.
A few photography highlights from NYC 1993 exhibit at the New Museum (3 of 3) – Gillian Wearing’s I’m desperate
A few photography highlights from NYC 1993 exhibit at the New Museum (2 of 3) – Zoe Leonard’s anatomical model
A few photography highlights from NYC 1993 exhibit at the New Museum (1 of 3) – Wolfgang Tillmans’ embrace with gun scarf
1963 letter from the Library of Congress rejecting Ed Ruscha’s donation of Twentysix Gasoline Stations. At Gagosian Gallery.
Hairy legs floating over Chelsea. Ryan McGinley on the High Line billboard.
Horizontal wires, lines, and contrails stripe a misty cloudscape. Sally Gall at Julie Saul.
Erwin Olaf’s voyeuristic keyhole peeping installation; in the back gallery at Hasted Kraeutler.
Wispy, gestural dance photographs taken by Mikhail Baryshnikov, in the Mark Morris Dance Center intermission lounge.
The bird’s eye, tilt shift version of OWS in Zuccotti Park. Susan Wides at Kim Foster.
