Reducing architecture to primary geometries. Günther Förg at Hauser & Wirth.
The unexpected graphic boldness of 19th century firing range targets. Hugo van Werden in the Anticipating the Modern group show at Hans P. Kraus Jr. Fine Photographs.
Juxtaposing a future golf course with UNHCR tents and barbed wire. Mikhael Subotzky in the Borders group show at James Cohan Gallery.
Rearranging puzzle pieces to create conflicted hybrid photographs. Hank Willis Thomas in the Borders group show at James Cohan Gallery.
Burning family photographs to understand the erasure of memory. Fatemeh Baigmoradi in the GRACE: Gender-Race-Identity group show at Laurence Miller Gallery.
A shadowy face off with his own sculpted bust. Jane Evelyn Atwood in the God Made My Face: A Collective Portrait of James Baldwin at David Zwirner.
The overlapping graphic patterns of overhead fire escapes. Ferenc Berko in the 1947, Simone de Beauvoir in America group show at Sous Les Etoiles Gallery.
Wispy dust encrusting a map of Hale County, Alabama. Andrew Moore at Yancey Richardson Gallery.
Occupying a Brooklyn sidewalk like a street gang. Ka-Man Tse at Aperture Gallery.
A spiraling twist of smoky light. Anthony McCall at Sean Kelly Gallery.
Turing a repaired fence into a bold geometric silhouette. Bhupendra Karia at sepiaEye.
The neighborliness of peeking over a fence with a wine glass. Katy Grannan in the At Home: In the American West group show at Aperture Gallery.
Isolating the controlled swirl of Kim Novak’s hair in Vertigo. Jean Curran at Danziger Gallery.
Turning salt production into steep angled Modernism. Harold Haliday Costain at Keith de Lellis Gallery.
Using collaged imagery to construct a trance-like sense of euphoria. John O’Reilly at Tibor de Nagy.
Scratch mark echoes and cut planes give an ordinary hook a dose of seething energy. Gerald Slota at Ricco/Maresca Gallery.
Stylized swim practice on the gym floor. Luke Smalley at ClampArt.
Using hotel room furniture for impromptu installations and sculptures. Alex Yudzon at Rick Wester Fine Art.
Car tail lights against frozen blue whiteness. Simon Roberts at Flowers Gallery.
Echoing elemental photogram compositions with a styrofoam ring. Delphine Burtin at Benrubi Gallery.
