Ghostly hands manipulating camera equipment amid layered planes. Camel Collective in the back room at Ulterior Gallery.
A gestural branch between two hedges, evoking first love. Jake Naughton at United Photo Industries.
Langston Hughes and a turn of the head. Carl Van Vechten at Keith De Lellis Gallery.
Waiting and watching. Carrie Mae Weems in the By Women, For Tomorrow’s Women benefit sale, March 1, 2019, at Sotheby’s.
Using blur to create an impressionistic watercolor effect. Paolo Roversi at Pace/MacGill Gallery.
Rethinking Paul Gauguin’s “primitive” muses. Rachelle Mozman Solano at Smack Mellon.
Creating a veiled effect with meticulous surface scratches. Christopher Russell at Gitterman Gallery.
Self portrait with ethereal multiple exposure confusion. Constantin Brancusi in Constantin Brancusi Sculpture at MoMA.
Rethinking Norman Rockwell for a diverse 21st century America. Hank Willis Thomas and Emily Shur in the For Freedoms show at the International Center of Photography.
The sleek geometries of a mirrored headdress. Ulrike Ottinger at Bridget Donahue.
An evocative pairing of quiet despair and rusty orange. Laura Stevens in The City (and a Few Lonely People) group show at ClampArt.
A narrow slice of elongated shadow. Clarissa Bonet in The City (and a Few Lonely People) group show at ClampArt.
The original publicity still that became the Marilyn silkscreens. Andy Warhol at the Whitney.
Liza Minnelli in high contrast black, white, and red. Andy Warhol at Paul Kasmin Gallery.
The wispy forms of kites in the wind. Sally Gall at Julie Saul Gallery.
The gnarled sculptural form of junk yard debris. Stephen Mallon at Front Room Gallery.
Photographs of the artist’s hands as raw material for painterly geometric patterns. McArthur Binion at Lehmann Maupin.
Beds placed outdoors echoing the fragile freedoms of the minority Uyghur people in Western China. Lisa Ross at Miyako Yoshinaga.
Filtering Monet’s water lilies and adding distortions of time. Michele Abeles in the Pastoral (Grid and Drone) group show at 47 Canal.
Projecting photographic slides on top of a floral watercolor. Ger van Elk at Grimm Gallery.
