Diana the huntress, in tinted Polaroid stripes. Craig Jun Li (from 2025) in the Correspondences group show at François Ghebaly Gallery.
Turning a draped ladder into a rearing beast. Camila Falquez (from 2024) in the Who? Me? group show at Hannah Traore Gallery.
The artist as black superhero, liberating Aunt Jemima and Uncle Ben. Renee Cox (from 1998) in the Who? Me? group show at Hannah Traore Gallery.
A photographic study of light on silver, executed in gelatin silver. Spencer Finch (from 2008) in the All About 25 group show at James Cohan Gallery.
An Indian-American worker at a prune factory in California. Gauri Gill (from 2002) in the All About 25 group show at James Cohan Gallery.
Linked symbols and linked arms. Fred McDarrah (from 1969) in the Fred W. McDarrah: Pride and Protest show at the New York Historical.
Thinning hair on an up-close forehead, like grasses on windswept dunes. Paul Edmund Hahn (from 1929) in the second floor hallway at the Met.
A single hand emerging from dark wet sand. Jenny Calivas (from 2021) in the project room at Yancey Richardson Gallery.
Connecting a face to craggy rock textures. Maria Antelman (from 2022) at Yancey Richardson Gallery.
Obscuring a body with bold graphic cutouts, playing with positive/negative space. Sheree Hovsepian (from 2025) at Uffner & Liu.
The angles and silhouettes of a snowy NY delivery. Donna Ferrato at the Leica Store.
What appears to be a classic NY story of trying to get a trapped pigeon out of a food truck. Vincent Caruso at the Leica Store.
The reflected versions of a teenage identity. Sara Messinger (from “Teenagers”), in a paired show with Bruce Davidson, at Leica Gallery.
Including a stabilizing pole in a tender embrace. Bruce Davidson (from “Brooklyn Gang”), in a paired show with Sara Messinger, at Leica Gallery.
The controlled structure of training exercises for an embassy medevac. An-My Lê (from 2003-2004) in the Anonymous Was a Woman: The First 25 Years group show at the Grey Art Museum.
Tactile mist in the contested territories of Israel and Palestine. Jungjin Lee (from 2011) in the Anonymous Was a Woman: The First 25 Years group show at the Grey Art Museum.
The undulating lines of light and shadow on a window curtain, activated by a hand. Uta Barth (from 2012) in the Anonymous Was a Woman: The First 25 Years group show at the Grey Art Museum.
Interrogating memory by restaging the events in the aftermath of the Martin Luther King Jr. assassination. Carrie Mae Weems (from 2008) in the Anonymous Was a Woman: The First 25 Years group show at the Grey Art Museum.
Placing the artist’s own nude body in dialogue with the landscape. Laura Aguilar (from 1999) in the Anonymous Was a Woman: The First 25 Years group show at the Grey Art Museum.
Transforming a self-portrait into a bird-like persona. Dietmar Busse (from 2025) at FIERMAN.
