Sunlit hair and eyeliner. Diane Arbus in the Headshots group show at ClampArt.
Layers of authorship in Walker Evans’ African masks. Sherrie Levine at David Zwirner.
Breaking trans barriers with glamour and a brick. Andrea Bowers at Andrew Kreps.
The overlapped slaying of Judith and Holofernes. Anna Ostoya at Bortolami.
Linear overpainting in paint and pastel. New Sam Falls in the Hannah Hoffman booth at the Independent.
Smartly disorienting layers of deception. Yamini Nayar in the Thomas Erben booth at the Independent.
Immersed in essences of Luigi Ghirri’s studio. Luke Fowler in the Modern Institute booth at the Independent.
The playfully sexy couplings of chairs. Lucas Maassen/Margriet Craens in the Kinder Modern booth at Pulse.
Faceting the subway into 3D planes and angles. Isidro Blasco in the Black & White Gallery booth at Pulse.
Contemporary Dada-style studio illusions. Sophia Pompéry in the Galerie Wagner + Partner booth at Pulse.
Piercing the scene with a real arrow. Cai Dongdong at Klein Sun.
Soulful portraits from 1960s Florida. Anthony Barboza at Keith De Lellis.
The undulations of a recent image object. Artie Vierkant, lot 318 in Christie’s First Open sale on 3/4.
Flamboyant mid-1970s Bowie. Terry O’Neill, lot 144 in Dreweatts & Bloomsbury’s 3/3 sale.
The skew angles of 19th century oyster boats. Hugh Owen at Hans P. Kraus Jr. Fine Photographs.
Balancing light and dark in Queens. 1970s Thomas Struth in the New York Topographics group show at Senior & Shopmaker.
The scale of space in the emptiness of the desert. Maroesjka Lavigne at Robert Mann.
The stripes and striations of grain elevators. Bernd and Hilla Becher in the Of a Different Nature group show at Jack Shainman.
The burnished bronze skin of a male nude. Alfredo Boulton in the Do Ask, Do Tell group show at Henrique Faria Fine Art.
Layering symbols of domestic commerce and the female nude. Robert Heinecken at Petzel Gallery.
