A rephotographed telescoping swarm of overlapped Nefertitis. Sara Cwynar in the Continuous Surfaces group show at Andrea Rosen.

An energetic twisting torso and tossed hair. Robert Longo in Christie’s First Exposure online only sale.

The intersection of photography, sculpture, and installation. Early Sara VanDerBeek in Christie’s First Open/LDN sale.

The rhythmic cyclical waves of sun tracings. Hitoshi Nomura at Fergus McCaffrey.

Cathedral facades in astonishing hyperdetail. Markus Brunetti at Yossi Milo.

The intricate hairlines of a spirograph photogram. David Nelson at 80WSE (NYU).

Performative interventions with nuns’ habits and machine guns. Elektra KB at Bravin Lee.

AIDS activism via c-print photo weavings. Hunter Reynolds at PPOW.

Moody muddiness on the stylized frontier. Deborah Turbeville at Foxy Production.

Mottled fragments of night vision photos made sculptural. Selena Kimball at Morgan Lehman.

Maps sculpted into mountain ranges. Ji Zhou at Klein Sun.

Flickering colored film frames amid the crash of breaking glass. Paul Sharits at Greene Naftali.

Dollar sign earrings and red lipstick. Ruben Natal-San Miguel at SoHo Photo.

Swirling in camera interventions. Stephen Gill at Dillon Gallery.

Soccer fields in tilt shift distortion. Naoki Honjo in the 9/11 Fine Photographs sale at Skinner.

Eden is a Magic World by Miguel Calderón (Little Big Man, 2011): a story of Korean teenager’s obsession with a Mexican child actress.

Los Ninos de Aqui by Thea Segall (Editorial Arte, Caracas, 1979) celebrates UNESCO’s International Year of the Child.

Troubles de la Vue by Milagros de la Torre (Toluca Éditions, Paris, 2003) is a one year record of the artist’s bruises in a high end book/object.

New Mexican Grandeur by Hector Garcia (Mexico City: Petroleus Mexicanos, 1967) presents the Mexican capital as a glorious metropolis.

La Margarita by Alfredo Boulton (Ediciones Macanao, Caracas, 1981): iconic work by one of the most influential figures in Venezuelan culture.