The symbolic revolutionary mix of maps, guns, and pointe shoes. Detail from a William Kentridge video at Marian Goodman.
Books transformed into floral filigree. Cara Barer at Klompching.
Dark roots near an Underground Railroad stop. Jeanine Michna-Bales in the Moving Walls 23: Journeys group show at the Open Society.
The interplay of rocky textures and digital marks. Leah Beeferman in the Liquid Pictures group show at Klaus von Nichtssagend.
Slicing time into 12 synchronous views. Barbara Probst at Murray Guy.
Folding table ballroom opulence, punctuated by a real chandelier. Robert Melee at Andrew Kreps.
Collaging vicious monkeys into a perfect living room. Nadine Boughton at United Photo Industries.
The cherry red pop of a back pocket squirt gun. Linda McCartney at Gagosian Gallery.
The bold stare of mid-1980s Christy Turlington. Patrick Demarchelier at Staley-Wise.
The cut paper tragedy of a Clear Blue Sky paint swatch. Thomas Allen at Foley.
Female nude as obtuse angle. Late 1930s Modernism from Annemarie Heinrich at Nailya Alexander Gallery.
Dizzying depths of iterative studio rephotography. Rodrigo Valenzuela at Envoy Enterprises.
Layers of car crash lightboxes. Zineb Sedira at Taymour Grahne.
Recreating movie magic with miniatures. Richard Finkelstein at Robert Mann.
The visual echoes of American Indian and Indian American. Annu Palakunnathu Matthew at Sepia Eye.
An elegantly reluctant portrait sitter. Sharon Lockhart at Gladstone Gallery.
The elegance of spiky formal clarity. Edward Weston in the Vintage Masters group show at Throckmorton Fine Art.
A bisected eye, with doubled highlights. Anne Collier in the Thea Westreich Wagner/Ethan Wagner Collection show at the Whitney.
A taxonomy of destruction. Christopher Wool in the Thea Westreich Wagner/Ethan Wagner Collection show at the Whitney.
The complementary angles of looking up. Gilbert & George in the Thea Westreich Wagner/Ethan Wagner Collection show at the Whitney.
