A systematic dissection of the North American waitress. Martha Rosler (from 1976) in the Summer Reads group show at Galerie Lelong.
A blanket of faded newspaper on the forest floor. Rosemary Laing (from 2014) in the Summer Reads group show at Galerie Lelong.
Hiding faces with Post-It notes during the Hong Kong protests. John Clang (from 2019) in the Summer Reads group show at Galerie Lelong.
Sixty years of LIFE magazine covers, with the African continent largely ignored. Alfredo Jaar (from 1996) in the Summer Reads group show at Galerie Lelong.
Monet’s gardens at Giverny, dappled by the underfoot texture of gravel. Abelardo Morell (from 2015) in the Heatwave group show at Edwynn Houk Gallery.
A chaotic summer picnic in the long grass. Sally Mann (from 1991) in the Heatwave group show at Edwynn Houk Gallery.
The blue painted wings of a racing pigeon. Carlos Jaramillo (from 2019) in the Early Bird group show at Palo Gallery.
The subtle variations of dye transfer yellow. Liz Deschenes (from 2025) in the Victory Over the Sun group show at Ryan Lee Gallery.
Blinded photographs and empty armatures re-interpreting the possibilities of artifacts. Stephanie Syjuco (from 2025) in the Victory Over the Sun group show at Ryan Lee Gallery.
Unfixed prints drifting toward illegibility. Phil Chang (from 2021/2025) in the Victory Over the Sun group show at Ryan Lee Gallery.
Shifting tones of saturated orange. Barnett Cohen (from 2025) in the Victory Over the Sun group show at Ryan Lee Gallery.
Figures disappearing into an indeterminate space of spray painted spots. Gina Osterloh (from 2010) in the Victory Over the Sun group show at Ryan Lee Gallery.
Reworking portraits with a splash of surreal AI. Rosemarie Trockel (from 2023/2025) at Gladstone Gallery.
Iterative permutations of waiting, reading, and listening. William Wegman (from 1971-1972) in The Shape of What You Lived at Sperone Westwater.
A monumental crackled cyanotype, like a craggy mountainscape. Wu Chi-Tsung (from 2024) in the Faktura/Tektonika group show at Sean Kelly Gallery.
Burn marks traced across a seething orange landscape. Anthony McCall (from 1973) in the Faktura/Tektonika group show at Sean Kelly Gallery.
Stacks of money and an exuberant slide in an expression of “How to Win”. Sadie Barnette at Sean Kelly Gallery.
A sophisticated tangle of hollow geometric forms. Yamini Nayar in the Pacing group show at Thomas Erben Gallery.
Swirls of ephemeral fire, printed on aluminum. Stacy Arezou Mehrfar (2024) in the Size Matters group show at L’Space Gallery.
Behind the chain link fence at a migrant camp. Bruce Davidson (from 1962) in the Sign of the Times group show at Howard Greenberg Gallery.
Daybook
Daybook is an ongoing visual diary made entirely of notable photographs, a cascade of images seen here and there and deserving of further attention.