Elegant layers of iris blossoms. Man Ray (from 1926), in a paired show with Ronit Porat, at L’Space Gallery.
Collaged echoes of human gesture and animal shape. Ronit Porat, in a paired show with Man Ray, at L’Space Gallery.
Muting a 1980s era Pepsi logo. Megan Plunkett at Dracula’s Revenge.
Converting a photograph of a moth on a hand into an array of custom 3D printed glyphs. Mitch Patrick (from 2023) at Chart Gallery.
Mixing the eyes of survivors of the atomic bombings in Japan with those of Americans exposed to radiation during tests. Kei Ito (from 2020-2021) in the Take it home, for (__) shall not repeat the error. [Manhattan Project] group show at Apexart.
An urban tree trunk adapting to the presence of a chain link fence. Zoe Leonard (from 1998) in the arms ache avid aeon: Nancy Brooks Brody / Joy Episalla / Zoe Leonard / Carrie Yamaoka: fierce pussy amplified: Chapter Eight group show at Participant Inc.
Searching for blue at dawn/dusk in the mountains of Norway. Catherine Opie (from 2024) at Lehmann Maupin.
Early 1970s graffiti tags on the panels of a garage door. Gordon Matta-Clark at White Columns.
Candy colored rounds stacked in an exuberant arch. Liz Nielsen at Miles McEnery Gallery.
Adding sparkling color to a cedar forest. Sarah Anne Johnson (from 2024) at Yossi Milo Gallery.
Juggling the stresses of the Donna Karan lifestyle. Denis Piel (from 1987) at Staley-Wise Gallery.
A collaged headdress of protest marches. Helina Metaferia (from 2025) in the Facial Recognition group show at Jane Lombard Gallery.
An intimate connection underneath a tumble of hair. Pixy Liao (from 2013) in the Facial Recognition group show at Jane Lombard Gallery.
Unfolding and flattening a suitcase like a cardboard box. Dor Guez at Goodman Gallery.
The ornate details of a 19th century Belter bed, drifting into blur. Judy Linn (from 1970s) at Kerry Schuss Gallery.
Soldiers at an amusement park in Odesa. Laetitia Vançon (from 2022) at Leica Gallery.
Peering out from the rubble of a bombed building in Kyiv. Lynsey Addario (from 2022) at Leica Gallery.
Roller flattened blossoms mixed with dark splotches of crushed charcoal. Adam Fuss (from 2024) in the New Constructions group show at Edwynn Houk Gallery.
Using the mat board to isolate parts of a face. Sissi Farassat (from 2025) in the New Constructions group show at Edwynn Houk Gallery.
The spatial dynamics of a tabletop setup. Abelardo Morell (from 2025) in the New Constructions group show at Edwynn Houk Gallery.
Daybook
Daybook is an ongoing visual diary made entirely of notable photographs, a cascade of images seen here and there and deserving of further attention.