Behind the chain link fence at a migrant camp. Bruce Davidson (from 1962) in the Sign of the Times group show at Howard Greenberg Gallery.

A common sentiment of California farm workers. William Gedney (from 1966-1967) in the Sign of the Times group show at Howard Greenberg Gallery.

A street-level view of the shoes of a shoeshine man. Saul Leiter (from c1950) in the Sign of the Times group show at Howard Greenberg Gallery.

Obedience and liberty, as experienced in sweeping up. Baldwin Lee (from 1985) in the Sign of the Times group show at Howard Greenberg Gallery.

Husband and wife, and a gun to the head. Mary Ellen Mark (from 1971) in the Sign of the Times group show at Howard Greenberg Gallery.

When hard times lead to a mood of pessimism. Steve Schapiro (from 1966) in the Sign of the Times group show at Howard Greenberg Gallery.

Clustered bodies and flowers in an AI-assisted combination. 0009 (Chris Maestas) (from 2025) in the Groundwork group show at Heft Gallery.

Interlocked layers of digital fragments. Shamus Clisset (from 2025) in the Groundwork group show at Heft Gallery.

The son of a destitute family in Depression-era Arkansas. Ben Shahn (from 1935) at the Jewish Museum.

A warmly attentive conversation. Andina Marie Osorio (from 2023) at Hesse Flatow.

Worker signifiers in a homoerotic pose. Bruce Bellas (aka Bruce of LA) in the Physique group show (from the collection of Vince Aletti) at Dashwood Projects.

Collecting ephemeral mist on a mountainside. Brígida Baltar (from 1996) in the On Blindness group show at Nara Roesler.

The drifting fall of a high diving gold medalist. Leni Riefenstahl (from 1936) at Keith de Lellis Gallery.

The paired laments of Mary Shelley and Nikola Tesla. Constance DeJong in the Fifteen-Year Anniversary group show at Bureau.

Folded paper edges like eavesdropping. Erica Baum in the Fifteen-Year Anniversary group show at Bureau.

The light and shadow of a potential encounter. Arthur Tress in the Cruising in the Shadows: Uncovering Secret LGBTQ+ Culture in New York City group show at Apexart.

The flare of taillights, repeated across quilted fabric. Coulter Fussell at March Gallery.

Fractured geology in shades of ochre. Sally Gall (from 2022) at Winston Wächter Fine Art.

A floor level view of a grimy cult cabin. Jane and Louise Wilson (from 1994) at 303 Gallery.

Finding the mythical American West on the snowy streets of New York City. Peter Moore (from 1974) in a paired show with Claes Oldenburg at Paula Cooper Gallery.