Unfolding and flattening a suitcase like a cardboard box. Dor Guez at Goodman Gallery.
The ornate details of a 19th century Belter bed, drifting into blur. Judy Linn (from 1970s) at Kerry Schuss Gallery.
Soldiers at an amusement park in Odesa. Laetitia Vançon (from 2022) at Leica Gallery.
Peering out from the rubble of a bombed building in Kyiv. Lynsey Addario (from 2022) at Leica Gallery.
Roller flattened blossoms mixed with dark splotches of crushed charcoal. Adam Fuss (from 2024) in the New Constructions group show at Edwynn Houk Gallery.
Using the mat board to isolate parts of a face. Sissi Farassat (from 2025) in the New Constructions group show at Edwynn Houk Gallery.
The spatial dynamics of a tabletop setup. Abelardo Morell (from 2025) in the New Constructions group show at Edwynn Houk Gallery.
Layered photo-scrapbooking, inspired by Richmond Barthé. Troy Montes Michie (from 2024) at Company Gallery.
Densely clustered plant leaves reaching out from the surface. David Kennedy Cutler (from 2025) at Derek Eller Gallery.
Mexican-American activism during the Occupy Wall Street protests. Accra Shepp (from 2011) in the American Job: 1940-2011 show at the International Center of Photography.
A dangling leg in a crowded living space. Chien-Chi Chang (from 1998) in the American Job: 1940-2011 show at the International Center of Photography.
Capturing a servant reflected in a mirror. Barbara Norfleet (from 1984) in the American Job: 1940-2011 show at the International Center of Photography.
Spying a seamstress through light and dark fabrics. Susan Meiselas (from 1977) in the American Job: 1940-2011 show at the International Center of Photography.
A sandblaster in a makeshift mask. Ken Light (from 1975) in the American Job: 1940-2011 show at the International Center of Photography.
Brothers breaking walls with crowbars. Danny Lyon (from 1967) in the American Job: 1940-2011 show at the International Center of Photography.
Segregated benches in 1960s Mississippi. Henri Cartier-Bresson (from 1961) in the American Job: 1940-2011 show at the International Center of Photography.
Home economics students learning about irons. Nina Leen (from 1951) in the American Job: 1940-2011 show at the International Center of Photography.
The choking smoke of 1940s Pittsburgh. Todd Webb (from 1948) in the American Job: 1940-2011 show at the International Center of Photography.
Layered images of the artist’s mother’s clothes printed on billowing silk. Keisha Scarville (from 2018) in the To Conjure: New Archives in Recent Photography show at the International Center of Photography.
A comic book character identity channeling Sisyphus. Shala Miller (from 2023) in the To Conjure: New Archives in Recent Photography show at the International Center of Photography.
Daybook
Daybook is an ongoing visual diary made entirely of notable photographs, a cascade of images seen here and there and deserving of further attention.