A single hand emerging from dark wet sand. Jenny Calivas (from 2021) in the project room at Yancey Richardson Gallery.

Connecting a face to craggy rock textures. Maria Antelman (from 2022) at Yancey Richardson Gallery.

Obscuring a body with bold graphic cutouts, playing with positive/negative space. Sheree Hovsepian (from 2025) at Uffner & Liu.

The angles and silhouettes of a snowy NY delivery. Donna Ferrato at the Leica Store.

What appears to be a classic NY story of trying to get a trapped pigeon out of a food truck. Vincent Caruso at the Leica Store.

The reflected versions of a teenage identity. Sara Messinger (from “Teenagers”), in a paired show with Bruce Davidson, at Leica Gallery.

Including a stabilizing pole in a tender embrace. Bruce Davidson (from “Brooklyn Gang”), in a paired show with Sara Messinger, at Leica Gallery.

The controlled structure of training exercises for an embassy medevac. An-My Lê (from 2003-2004) in the Anonymous Was a Woman: The First 25 Years group show at the Grey Art Museum.

Tactile mist in the contested territories of Israel and Palestine. Jungjin Lee (from 2011) in the Anonymous Was a Woman: The First 25 Years group show at the Grey Art Museum.

The undulating lines of light and shadow on a window curtain, activated by a hand. Uta Barth (from 2012) in the Anonymous Was a Woman: The First 25 Years group show at the Grey Art Museum.

Interrogating memory by restaging the events in the aftermath of the Martin Luther King Jr. assassination. Carrie Mae Weems (from 2008) in the Anonymous Was a Woman: The First 25 Years group show at the Grey Art Museum.

Placing the artist’s own nude body in dialogue with the landscape. Laura Aguilar (from 1999) in the Anonymous Was a Woman: The First 25 Years group show at the Grey Art Museum.

Transforming a self-portrait into a bird-like persona. Dietmar Busse (from 2025) at FIERMAN.

“The Cat with the Wine-loving Whiskers”. Salvador Dali (from 1976-1977) in The Surrealist Collage: Where Dreams and Reality Meet at Di Donna Galleries.

Creating an underwater scene of fish and floating nudes. Nusch Éluard (from c1936) in The Surrealist Collage: Where Dreams and Reality Meet at Di Donna Galleries.

Spatial arrangements of bodies on the half shell. Roberto Matta (from 1936) in The Surrealist Collage: Where Dreams and Reality Meet at Di Donna Galleries.

A volcanic woman emerging from the lava. Paul Éluard (from 1932) in The Surrealist Collage: Where Dreams and Reality Meet at Di Donna Galleries.

The “unwilling hero” sitting on the couch while the barn burns. André Breton (from c1928) in The Surrealist Collage: Where Dreams and Reality Meet at Di Donna Galleries.

An indirect portrait via silhouette. Farah Al Qasimi (from 2017) in the A Rose Is group show at the FLAG Art Foundation.

Obscuring identity and amplifying femininity with a showy blossom. Linder (from 2012) in the A Rose Is group show at the FLAG Art Foundation.