Scavenged moon images sorted with a purple filter. Penelope Umbrico (from 2017) in The First Circle: Radical Humanism at Microscope Gallery.
De-aged baby pictures of Elvis and Marilyn. Nancy Burson (from 1988) in The First Circle: Radical Humanism at Microscope Gallery.
An unidentified flying object over a Utah test ground. Trevor Paglen (from 2024) at Pace Gallery.
A classic American meal, as a study in yellow. Stephen Shore (from 1977/2003) in the Seasonal Drift group show at 303 Gallery.
Unpacking a sunset into a spectrum of flared color. Florian Maier-Aichen (from 2019) in the Seasonal Drift group show at 303 Gallery.
A sleeping body housing the words and colors of Los Angeles. Doug Aitken (from 2020) in the Seasonal Drift group show at 303 Gallery.
A nude brashly interrupted by Kool-Aid stickers. Collier Schorr (from 2018) in the Seasonal Drift group show at 303 Gallery.
Clustered rounds at the Krupp firing range. Hugo van Werden (from 1878) in the Trios of Photographs group show at Hans P. Kraus Jr. Fine Photographs.
The delicacy of a gentle kiss. Julia Margaret Cameron (from 1869) in the Trios of Photographs group show at Hans P. Kraus Jr. Fine Photographs.
A lone pine over Yosemite Valley. Charles Leander Weed (from 1864) in the Trios of Photographs group show at Hans P. Kraus Jr. Fine Photographs.
The elemental line of an English Lake District waterfall. John Payne Jennings (from 1870s) in the Trios of Photographs group show at Hans P. Kraus Jr. Fine Photographs.
Reaching up into a tree of bounty. Clifford Prince King (from 2020) in the Scenes of Disclosure group show at Greene Naftali Gallery.
Dancing in a circle as an expression of female freedom. Barbara Hammer in the Part Three group show at Company Gallery.
Performatively emerging from a puff of smoke. Clifford Owens (from 2011) at David Kordansky Gallery.
A floating gathering of antique objects. Sarah Charlesworth (from 2002) in the Borderline group show at Paula Cooper Gallery.
Scrambling images of New York and Seattle made to express specific emotions. Douglas Huebler (from 1969) in the Borderline group show at Paula Cooper Gallery.
Removing landmarks from an aerial view of Florence. Sol LeWitt (from 1976) in the Borderline group show at Paula Cooper Gallery.
Channeling the 19th century black explorer Matthew Henson. Terry Adkins (from 2011) in the Borderline group show at Paula Cooper Gallery.
Angled limbs and 1980s era summertime fashions on Cape Cod. Joel Meyerowitz (from 1984) in The Kids Are Alright at Timothy Taylor Gallery.
The curved line of a jump rope. Mark Cohen (from 1975) in The Kids Are Alright at Timothy Taylor Gallery.
Daybook
Daybook is an ongoing visual diary made entirely of notable photographs, a cascade of images seen here and there and deserving of further attention.