Rachel Perry Welty @Yancey Richardson

JTF (just the facts): A total of 5 large scale color photographs, framed in white with no mat, and hung in the smaller back room gallery space. Each of the archival pigment prints is sized 40×30 and available in an edition of 6. The works were made in 2011 on a commission for Vogue. (Installation shots at right.)

Comments/Context: Rachel Perry Welty’s newest show is a straightforward example of taking a visual aesthetic created in a fine art mode and applying it to a commercial project. Expanding on the optical illusion via everyday household items conceptual approach she developed in her series Lost in My Life, these works push further into the realm of branded luxury culture, taking on a more Pop Art feel.

On an accessories shoot for Vogue, Welty used signature fabrics from various fashion houses as the basis for her camouflage, matching generally flat patterned backgrounds with objects made out of the same prints to create her disappearing effect. These mirages are simpler and less sculptural than her earlier efforts, with less of a sense of drowning in hoarded piles of twist ties, bread tags, or vegetable price stickers. Instead, Welty vanishes into a brightly patterned pink and blue floral golf bag from Prada and a jumble of purple and green tote bags from Givenchy. Other visual tricks play on the black and white pansies of an Alexander Wang motorcycle helmet, the impressionistic flowers of a Kirkwood shoe, and the snakeskin bag and leather boots of a head to toe Balenciaga look.

While getting lost in couture brands might imply the seditious bite of anti-consumerist irony, these images are surprisingly light and decorative, the criticism muted to a quiet undercurrent. In the pages of Vogue, being defined by possessions or reveling in a luxurious pattern isn’t necessarily a negative.

Collector’s POV: The works in this small show are priced between $5000 and $7000 each. Welty’s work has limited secondary market history at this point, so gallery retail is likely still the best option for collectors interested in following up.

Send this article to a friend

Read more about: Rachel Perry Welty, Yancey Richardson Gallery

One comment

  1. canvas photo /

    your gallaries look great very stylish great lay out nice post

Leave a comment

Your email address will not be published.

Recent Articles

Vince Aletti, The Drawer @White Columns

Vince Aletti, The Drawer @White Columns

JTF (just the facts): A total of five rectangular tables, installed edge to edge with printed ephemera and covered with protective plastic. (Installation and detail shots below.) The Drawer was ... Read on.

Sign up for our weekly email newsletter