
A pensive Harlem nude, flanked by competing studio backdrops. James Van Der Zee (from 1923) in The Harlem Renaissance and Transatlantic Modernism at the Met.
A pensive Harlem nude, flanked by competing studio backdrops. James Van Der Zee (from 1923) in The Harlem Renaissance and Transatlantic Modernism at the Met.
As has been our tradition for many years now, as the art world slows down for a collective summer vacation at the end of August, so do we. At this ... Read on.