
A pensive Harlem nude, flanked by competing studio backdrops. James Van Der Zee (from 1923) in The Harlem Renaissance and Transatlantic Modernism at the Met.
A pensive Harlem nude, flanked by competing studio backdrops. James Van Der Zee (from 1923) in The Harlem Renaissance and Transatlantic Modernism at the Met.
JTF (just the facts): A total of 20 photographic works, displayed against white walls and on steel scaffolding, in the front gallery space. (Installation shots below.) The following works are ... Read on.