
A pensive Harlem nude, flanked by competing studio backdrops. James Van Der Zee (from 1923) in The Harlem Renaissance and Transatlantic Modernism at the Met.
A pensive Harlem nude, flanked by competing studio backdrops. James Van Der Zee (from 1923) in The Harlem Renaissance and Transatlantic Modernism at the Met.
JTF (just the facts): A show mixing photographic works and sculptural/photographic installations, on display in the main gallery space, the entry area, and the smaller front room. (Installation and detail ... Read on.