Mechanistic rhythms in positive/negative. Bruce Nauman at Sperone Westwater Gallery.
Mixing the romance of Godard’s Breathless with explicit porn. Ellen Cantor at Foxy Production.
Burnouts and flares from radioactive ghosts. Julian Charrière at Sean Kelly.
Chasing time dilation in Polaroid diptychs. Peter Liversidge at Sean Kelly.
Haitian women and the graceful rhythm of raised arms. Danny Lyon at Edwynn Houk.
Carolee Schneemann’s groundbreaking Interior Scroll performance, in the Coming to Power group show at Maccarone.
Finding a 3D document icon in the folds of a shirt. Natalie Czech in the Sought Poems group show at Company.
The surreal combination of disembodied legs and Saturn in the sky. Georges Hugnet at UBU Gallery.
Louisiana swamps in moody tinted blue. Yojiro Imasaka at Miyako Yoshinaga.
The relaxed formality of a seated male nude. Thomas Eakins in the second floor hallway at the Met.
Conformity and playing all the roles. Tomoko Sawada in the 9/20-9/29 First Open Photographs Online sale at Christie’s.
The glowing-eyed menace of night. Michal Rovner at Pace Gallery.
Puffy slippers and a wall of looks. Rania Matar in the 9/23 Fine Prints & Photographs sale at Skinner.
Pinprick photograms with silhouetted overdrawing. Vanessa Marsh at Foley Gallery.
Interrupting Venice with expressive futuristic architecture. Dionisio González at Galerie Richard.
A stylized backward look at the audience. Alex Prager at Lehmann Maupin.
Treasures vanishing into endless racks of gilded frames. Mauro Fiorese at Robert Mann.
Original photocollage on a cardboard shipping box from Tipi Bookshop.
Building up abstraction using photograms and overpainting. Tillman Kaiser at Mitchell Algus Gallery.
Finding engaged slowness in a coast to coast walk. Hamish Fulton at Josée Bienvenu Gallery.
