Ruskaia by Luc Choquer in the Watson Library at the Metropolitan Museum.

Ocima: Svet Kolem Nasby by Miroslav Hak (1947) in the Watson Library at the Metropolitan Museum.

Using a platform to equalize the heights. Leon Borensztein at Foley Gallery.

The private tenderness of 1980s era same-sex couples. Sage Sohier at Foley Gallery.

Reintroducing a figure caught by GSV back into the city. Paolo Cirio in the Profiled group show at Apexart.

Female body as stone fetish. Pinar Yolaçan in the Soft Core group show at Invisible-Exports.

X-rays of memory jugs as gatherings of associations. Terry Adkins in the Human Ecology 101 group show at Ronald Feldman.

A typology of Darwin’s pigeons. Brandon Ballengée in the Human Ecology 101 group show at Ronald Feldman.

Double exposure views of Palestinian anonymity. Nir Evron in The Great Ephemeral group show at the New Museum.

The hybridized eroticism of flowers and anatomy. Sarah Meyohas in the Viewer Discretion… group show at Stux + Haller.

Mining the depths of scams, spam, and stock imagery. James Howard at Envoy Enterprises.

Geometric stills from spinning light abstractions. Elaine Buckholtz at Sasha Wolf.

The vulnerable tumbled form of dancer Mark Morris. Josef Astor at Participant.

Flaccid form photograms from her Olympdicks series. Andra Ursuta at Ramiken Crucible.

Heath Ledger cruising on a skateboard. Ben Watts at Milk Gallery.

Airplane travel with a rock briefcase. Drew Ludwig in the RISD MFA show at ClampArt.

Mirrored gestures amid a nest of wires. Paolo Morales in the RISD MFA show at ClampArt.

An improvised gathering place of dusty oil drums. David Goldblatt in the Scenes for a New Heritage group show at the Museum of Modern Art.

The intermingled blur of protestors and police. Rabih Mroué in the Scenes for a New Heritage group show at the Museum of Modern Art.

Reinterpreting Picasso with cardboard and body paint. Jaimie Warren in the All Types of Characters group show at Joshua Liner.