Gestural abstract sweeps across shimmering silver. Dove Allouche at Peter Freeman.
Tangled blood and rivets under the edge of a car. Early Ryan McGinley at Team Gallery.
Iterations in delicate blue. Liz Deschenes in the Serialities group show at Hauser & Wirth.
The shifting tonalities of vintage postcards. Zoe Leonard in the Serialities group show at Hauser & Wirth.
Shooting target faces with banded eyes. Sophie Calle in the Serialities group show at Hauser & Wirth.
Reducing bodies to high contrast black and white. Kishin Shinoyama in the Three Masters of Erotic Photography show at Steven Kasher Gallery.
Nude under a wall of artistic inspiration. Sam Haskins in the Three Masters of Erotic Photography show at Steven Kasher Gallery.
Muslim women balancing tradition and romance writing. Glenna Gordon at the Half King.
The rich tonalities of a coal darkened faces. W. Eugene Smith at Howard Greenberg Gallery.
Bedding down with the caged giraffes. Weegee at Howard Greenberg Gallery.
The surreal darkness of a doll in the gutter and a boy under a tarp. Beuford Smith at Keith De Lellis Gallery.
Polaroids in search of everyday gestures. Duane Hanson at Aperture Gallery.
Shoehorning European bookplates into African sculptural forms. John Stezaker in the The Approach booth at the Independent.
Layers of intermingled reflective distortion. Willa Nasatir in the Chapter NY booth at the Independent.
Coaxing abstract color distortion out of transparent films. New Martin Klimas in the Foley Gallery booth at Volta NY.
The intermingled swirls of backlit clouds and light leaks. Scott McFarland at Fort Gansevoort.
Morandi-inspired bottle forms illuminated by flares of light. Uta Barth at Tanya Bonakdar.
The symbolic distress of a tattered flag. Ruddy Roye in the Collective Thinking, For Freedoms show at Aperture.
Caught in a spiderweb of pantyhose. Senga Nengudi in Circa 1970 at the Studio Museum in Harlem.
Using all-over text to capture the rhythm of the streets. Juliana Huxtable in Excerpt at the Studio Museum in Harlem.
