A bold compilation of surveillance technology and graphic lettering. Michael Spano at Steven Kasher Gallery.
The artist’s penetrating stare, from an otherwise empty gallery. Robert Mapplethorpe at Gladstone Gallery.
A swarm of fluttering insects drawn to a solitary light in the darkness. Hitoshi Fugo at Miyako Yoshinaga.
A jagged collaged waterfall of surreal teeth. Jay DeFeo at Mitchell-Innes & Nash.
Using 3D objects to add sculptural depth and shadow to underlying imagery. Maria Martinez-Cañas at Julie Saul Gallery.
An ethereal video sleeper submerged in a barrel of water. Bill Viola at James Cohan Gallery.
Seeing textural echoes in burning Rohingya villages, protesting refugees, Staten Island marshes, and hurricane wreckage. Fia Backström at Callicoon Fine Arts.
Exploring the image/object dichotomy via subtle color gradations. Artie Vierkant at Galerie Perrotin.
A straight down flattening view of Bauhaus balconies. T. Lux Feininger in the 3/9 Photographica Auction at WestLicht.
Spinning Muybridge into animated motion. Eric Dyer at Ronald Feldman Gallery.
Mimicking digital overload with stuttering frames, pattern fragments, and a wandering edge. Liu Shiyuan at Tanya Bonakdar Gallery.
Adding trellised vines to a painted pine tree. Marina Pinsky at 303 Gallery.
Finding visual balance in a torn image collage. Scott Treleaven at Invisible-Exports.
A lively frieze of park bench gestures. Classic Garry Winogrand in A New Vision: American Photography After the War at Howard Greenberg Gallery.
The austere simplicity of drainpipe, panel, and door. Lewis Baltz in A New Vision: American Photography After the War at Howard Greenberg Gallery.
Making timeshifted connections by Photoshopping a newborn into a young grandmother’s arms. Laurel Nakadate at Leslie Tonkonow Artworks +Projects.
Architecture melting into simmering laser cut fragments. Felicity Hammond in the Rendered Cities group show at Apexart.
The textural shadows of a male nude. Mark Morrisroe at ClampArt.
Artist and prostitute exchanging roles. Early Marina Abramović at Sean Kelly Gallery.
Unlocking the geometric abstraction of cardboard exposure guides. Andy Mattern at Elizabeth Houston Gallery.
