Formal structure in a taxonomy of women’s clothing. Hans-Peter Feldmann in the 35 Years group show at 303 Gallery.
The raised arms of a Chicago pastor. Gordon Parks in the King of the Hill group show at Jack Shainman Gallery.
Tactile folds of drapery in a back view portrait. Elliott Jerome Brown Jr. in the Do You Love Me? group show at PPOW Gallery.
Seductive doubling with a mannequin. Martine Gutierrez in the Do You Love Me? group show at PPOW Gallery.
A child of color as the new face of luxury. Inez van Lamsweerde and Vinoodh Matadin in the Virgil Abloh: “Figures of Speech” show at MCA Chicago.
A glitched galaxy becomes the echo of a dove. Deana Lawson in the Fragments of a Crucifixion show at MCA Chicago.
Collaging gunpowder-blasted forms into a twisting sinuous ripple. Christopher Colville in the Circles & Squares group show at Rick Wester Fine Art.
Misty nighttime haze adding mystery to a harbor view. Bob Avakian in the Exhibition Lab Exhibition at Foley Gallery.
Using a steep upward angle to turn a tree into a surreal vertical. Alexander Rodchenko in the second floor hallway at the Metropolitan Museum of Art.
Reimagining clothing via multi-layered, double-sided, cut-through imagery on canvas. David Kennedy Cutler at Derek Eller Gallery.
Collapsing a young Jean-Michel Basquiat into three overlapped frames. Lee Jaffe at Eva Presenhuber.
Botanical imagery and concrete ripples in an elegant twisting form reminiscent of Japanese fans. Letha Wilson in the Away in the Hill group show at GRIMM Gallery.
The dense anarchy of all-over natural texture. Jordan Tate at Denny Dimin Gallery.
Layers of masks becoming one shifting identity. Narcissister in the A Detached Hand group show at Magenta Plains.
Reaching in to grab the fetus. Penny Slinger in the A Detached Hand group show at Magenta Plains.
Mimicking X-rays with photograms of natural materials. Naomi Zahler in the Bard x HGG group show at Howard Greenberg Gallery.
Reenacting the artist’s own moment of conception. Briauna Falk in the Bard x HGG group show at Howard Greenberg Gallery.
Reducing profile photos into dissolving swirled anonymity. Dan Halm in the PRIDE group show at Postmasters.
Images embedded in rock as monuments to gay men. Anthony Goicolea in the PRIDE group show at Postmasters.
Ambiguous layers of reflection in cool blue. Karine Laval in the PRIDE group show at Postmasters.
