Dividing the flow of a televised hockey game into photobooth strips. Jared Bark at Yancey Richardson Gallery.
Confounding spatial assumptions in layered printed imagery arrangements. Laura Letinksy at Yancey Richardson Gallery.
Nested layers of cacophonous cinematic war. Christian Marclay at Paula Cooper Gallery.
An orange coat and an elegantly understated moment of repose. Lili Jamail in the back room at Team Gallery.
The sculptural form of a muscular male nude. Jim French in the Sex Crimes group show at ClampArt.
Tied up in a thicket of elasticity. Senga Nengudi in the Artistic Licence group show at the Guggenheim.
The tangled connection of fragmented card players. Romare Bearden in the Artistic Licence group show at the Guggenheim.
Gathering museum objects made by women into fluid, tinted layers. Sara VanDerBeek at Metro Pictures.
The abstract pink squiggles of a 1943 dye transfer. Harry Callahan in the Drawing the Line group show at Bruce Silverstein Gallery.
Feathery leaves of kelp in the sand, like a delicate ink drawing. Edward Weston in the Drawing the Line group show at Bruce Silverstein Gallery.
The jittering repetitions of a Peugeot sign. Germaine Krull in the Drawing the Line group show at Bruce Silverstein Gallery.
Riding an improvised plywood ramp on the back of a car. Hugh Holland at Benrubi Gallery.
Finding graphic wordplay in Ed Ruscha’s hometown. John MacLean in the summer group show at Flowers Gallery.
Isolating “desire” amid the geometric abstraction of paper exposure calculators. Andy Mattern at Elizabeth Houston Gallery.
A dense metastasizing collage of organic forms and intricate abstractions. Tiffany Chung in the Body in Landscape group show at Tyler Rollins Fine Art.
A dead bird symbolically placed in front of the red pillars of the Forbidden City. Hong Lei in the Turn of the Century: Photography in China show at Chambers Fine Art.
Ashes of ink paintings built into illusory landscapes. Wang Tiande in the Turn of the Century: Photography in China show at Chambers Fine Art.
A densely cluttered inventory becomes an all-over study of form. Hong Hao in the Turn of the Century: Photography in China show at Chambers Fine Art.
Isolating the lips of the Beatles (in order George/John/Paul/Ringo). Jean-Pierre Ducatel in the Among Others: Photography and the Group exhibit at the Morgan Library & Museum.
Neatly arranged rows of humanity at the 1965 World’s Fair. Bob Adelman in the Among Others: Photography and the Group exhibit at the Morgan Library & Museum.
