The visual echoes of found imagery layered within corrugated plastic. Enrique Garcia in the N.A.S.A.L. booth at NADA New York.
Methodically preparing cassava as a poison, with echoes of the slave trade, domestic labor, and resistance. Kosisochukwu Nnebe (from 2022) in the Zalucky Contemporary booth at NADA New York.
Ethereal video stills embedded in glass and soldered together like armored plates. Amber Toplisek (from 2025) in the mimo booth at NADA New York.
Layers of mirrored reflections and distortions. Abi Shehu (from 2019) in the Voloshyn Gallery booth at the Independent art fair.
Placing a ripe peach in the center of a summertime tabletop still life. Wolfgang Tillmans (from 2018) in the Maureen Paley Gallery booth at the Independent art fair.
Matching the Statue of Liberty in a Mao suit. Tseng Kwong Chi (from 1979) in the Yancey Richardson Gallery booth at the Independent art fair.
Adding a cookpot to a repurposed karate trophy figure. Jean Shin (from 2010) in the Praise Shadows Art Gallery booth at the Independent art fair.
The bright tendrils of a luminogram, like a synapse. Lotus L. Kang at 52 Walker.
Disembodied mannequin legs sliding into glamorous slippers. Umbo (from 1928) in the stairwell at the Neue Galerie. And while there is photography included in the current Neue Sachlichkeit/New Objectivity show (here), no installation images were permitted.
Modeling jewelry from the ethnological museum. Yva (from 1933) in the stairwell at the Neue Galerie. And while there is photography included in the current Neue Sachlichkeit/New Objectivity show (here), no installation images were permitted.
A tangle of inflated legs in black pumps. Bárbara Sánchez-Kane and Sofía Alazraki at Dashwood Projects.
Smashing with a too-large sledgehammer. Chris Verene in The Safety Net, a paired show with Stacy Kranitz, at Psychic Readings* Gallery.
Saving money on winter heating bills by wrapping the windows in plastic. Stacy Kranitz in The Safety Net, a paired show with Chris Verene, at Psychic Readings* Gallery.
Elegant layers of iris blossoms. Man Ray (from 1926), in a paired show with Ronit Porat, at L’Space Gallery.
Collaged echoes of human gesture and animal shape. Ronit Porat, in a paired show with Man Ray, at L’Space Gallery.
Muting a 1980s era Pepsi logo. Megan Plunkett at Dracula’s Revenge.
Converting a photograph of a moth on a hand into an array of custom 3D printed glyphs. Mitch Patrick (from 2023) at Chart Gallery.
Mixing the eyes of survivors of the atomic bombings in Japan with those of Americans exposed to radiation during tests. Kei Ito (from 2020-2021) in the Take it home, for (__) shall not repeat the error. [Manhattan Project] group show at Apexart.
An urban tree trunk adapting to the presence of a chain link fence. Zoe Leonard (from 1998) in the arms ache avid aeon: Nancy Brooks Brody / Joy Episalla / Zoe Leonard / Carrie Yamaoka: fierce pussy amplified: Chapter Eight group show at Participant Inc.
Searching for blue at dawn/dusk in the mountains of Norway. Catherine Opie (from 2024) at Lehmann Maupin.
