Capturing the disappearing natural habitats of Colombia as unraveling tapestries. Ana González at Sean Kelly Gallery.
Spots of light and spray painted interventions. John Divola at Yancey Richardson.
Creating intermingled layers of prints and overprinted concrete. Letha Wilson (from 2024) in the Banshees group show at Asya Geisberg Gallery.
A confusingly doubled rearrangement. Daniel Rampulla (from 2022) in the Dirt Plug group show at David Peter Francis.
The fleeting beauty of a Syrian boy selling flowers. Ameen Abo Kaseem (from 2024) in the Longing: In Between Homelands group show at Palo Gallery.
The scarcity of water and kids swimming in a crowded half filled pool. Nadia Bseiso (from 2018) in the Longing: In Between Homelands group show at Palo Gallery.
Seeing Lot’s wife in a standing rock near the Dead Sea. Lina Khalid (from 2024) in the Longing: In Between Homelands group show at Palo Gallery.
The reaching expressiveness of outstretched arms. Kandis Williams (from 2021) in the Edges of Ailey group show at the Whitney Museum of American Art.
Channeling the glamour of Billie Holiday. Lyle Ashton Harris (from 2002) in the Edges of Ailey group show at the Whitney Museum of American Art.
Accenting the sinuous shine of Coltrane’s saxophone. Roy DeCarava (from 1960) in the Edges of Ailey group show at the Whitney Museum of American Art.
Cradling a mask with performative reverence. Rotimi Fani-Kayode (from c1989) in the Edges of Ailey group show at the Whitney Museum of American Art.
Capturing evil spirits with a bedspring. Carrie Mae Weems (from 1992) in the Edges of Ailey group show at the Whitney Museum of American Art.
The confident presence of a roaring twenties dancer. James Van Der Zee (from 1925) in the Edges of Ailey group show at the Whitney Museum of American Art.
Twisting and stretching extended nylon into a lurching form. Senga Nengudi (from 1975) in the Edges of Ailey group show at the Whitney Museum of American Art.
The expressive elegance of Alvin Ailey. Carl Van Vechten (from 1955) in the Edges of Ailey group show at the Whitney Museum of American Art.
Obscuring photographic imagery with bold overpainted color. Beverly Semmes (from 2024) in The Boys Club (Redacted) at Susan Inglett Gallery.
The tumbling drapery of a bedroom curtain. Nicholas Nixon (from 2017) in the Behind the Bedroom Door group show at James Cohan Gallery.
A reflected self-portrait with family photos. Lee Friedlander (from 1967) in the Behind the Bedroom Door group show at James Cohan Gallery.
Documenting the quirky personalities of pandemic-era outdoor dining sheds. Wijnanda Deroo at Deborah Bell Photographs.
The satirical bite of the “Blaster Bra”. Pippa Garner (from 1982) at Matthew Brown Gallery.
