Figures disappearing into an indeterminate space of spray painted spots. Gina Osterloh (from 2010) in the Victory Over the Sun group show at Ryan Lee Gallery.
Reworking portraits with a splash of surreal AI. Rosemarie Trockel (from 2023/2025) at Gladstone Gallery.
Iterative permutations of waiting, reading, and listening. William Wegman (from 1971-1972) in The Shape of What You Lived at Sperone Westwater.
A monumental crackled cyanotype, like a craggy mountainscape. Wu Chi-Tsung (from 2024) in the Faktura/Tektonika group show at Sean Kelly Gallery.
Burn marks traced across a seething orange landscape. Anthony McCall (from 1973) in the Faktura/Tektonika group show at Sean Kelly Gallery.
Stacks of money and an exuberant slide in an expression of “How to Win”. Sadie Barnette at Sean Kelly Gallery.
A sophisticated tangle of hollow geometric forms. Yamini Nayar in the Pacing group show at Thomas Erben Gallery.
Swirls of ephemeral fire, printed on aluminum. Stacy Arezou Mehrfar (2024) in the Size Matters group show at L’Space Gallery.
Behind the chain link fence at a migrant camp. Bruce Davidson (from 1962) in the Sign of the Times group show at Howard Greenberg Gallery.
A common sentiment of California farm workers. William Gedney (from 1966-1967) in the Sign of the Times group show at Howard Greenberg Gallery.
A street-level view of the shoes of a shoeshine man. Saul Leiter (from c1950) in the Sign of the Times group show at Howard Greenberg Gallery.
Obedience and liberty, as experienced in sweeping up. Baldwin Lee (from 1985) in the Sign of the Times group show at Howard Greenberg Gallery.
Husband and wife, and a gun to the head. Mary Ellen Mark (from 1971) in the Sign of the Times group show at Howard Greenberg Gallery.
When hard times lead to a mood of pessimism. Steve Schapiro (from 1966) in the Sign of the Times group show at Howard Greenberg Gallery.
Clustered bodies and flowers in an AI-assisted combination. 0009 (Chris Maestas) (from 2025) in the Groundwork group show at Heft Gallery.
Interlocked layers of digital fragments. Shamus Clisset (from 2025) in the Groundwork group show at Heft Gallery.
The son of a destitute family in Depression-era Arkansas. Ben Shahn (from 1935) at the Jewish Museum.
A warmly attentive conversation. Andina Marie Osorio (from 2023) at Hesse Flatow.
Worker signifiers in a homoerotic pose. Bruce Bellas (aka Bruce of LA) in the Physique group show (from the collection of Vince Aletti) at Dashwood Projects.
Collecting ephemeral mist on a mountainside. Brígida Baltar (from 1996) in the On Blindness group show at Nara Roesler.
