Interrogating memory by restaging the events in the aftermath of the Martin Luther King Jr. assassination. Carrie Mae Weems (from 2008) in the Anonymous Was a Woman: The First 25 Years group show at the Grey Art Museum.
Placing the artist’s own nude body in dialogue with the landscape. Laura Aguilar (from 1999) in the Anonymous Was a Woman: The First 25 Years group show at the Grey Art Museum.
Transforming a self-portrait into a bird-like persona. Dietmar Busse (from 2025) at FIERMAN.
“The Cat with the Wine-loving Whiskers”. Salvador Dali (from 1976-1977) in The Surrealist Collage: Where Dreams and Reality Meet at Di Donna Galleries.
Creating an underwater scene of fish and floating nudes. Nusch Éluard (from c1936) in The Surrealist Collage: Where Dreams and Reality Meet at Di Donna Galleries.
Spatial arrangements of bodies on the half shell. Roberto Matta (from 1936) in The Surrealist Collage: Where Dreams and Reality Meet at Di Donna Galleries.
A volcanic woman emerging from the lava. Paul Éluard (from 1932) in The Surrealist Collage: Where Dreams and Reality Meet at Di Donna Galleries.
The “unwilling hero” sitting on the couch while the barn burns. André Breton (from c1928) in The Surrealist Collage: Where Dreams and Reality Meet at Di Donna Galleries.
An indirect portrait via silhouette. Farah Al Qasimi (from 2017) in the A Rose Is group show at the FLAG Art Foundation.
Obscuring identity and amplifying femininity with a showy blossom. Linder (from 2012) in the A Rose Is group show at the FLAG Art Foundation.
The elusive forms of a nocturnal rose garden. Sarah Jones (from 2014) in the A Rose Is group show at the FLAG Art Foundation.
The floral arrangement from a sanctions-avoiding economic cooperation negotiation between Ecuador and Iran. Taryn Simon (from 2015) in the A Rose Is group show at the FLAG Art Foundation.
Collaged faces and a knife in the eye. James Rosenquist (from 2010) in the A Rose Is group show at the FLAG Art Foundation.
Imagery on acetate, shaped like a wrapped bouquet of flowers. Rebecca Cai (from 2025) in the Look Up: 2025 ICP Recent Graduates Exhibition at the International Center of Photography.
Capturing family as the shifting interplay of images and shadows. Jenny Yiyun Kuo (from 2025) in the Look Up: 2025 ICP Recent Graduates Exhibition at the International Center of Photography.
Down a long escalator into the New York subway system. Stephen Cummings (from 2024-2025) in the Look Up: 2025 ICP Recent Graduates Exhibition at the International Center of Photography.
Shadow play above an unmade bed. Gianni Civile (from 2025) in the Look Up: 2025 ICP Recent Graduates Exhibition at the International Center of Photography.
A reclining female nude taken in a 19th century brothel. William Goldman (from c1892) at Ricco Maresca Gallery.
Shedding the camouflaged bodysuit that blended into a post-colonial background. Joiri Minaya (from 2022) at The 8th Floor.
Evoking African mudcloth fabric in a Van Dyke brown print of scattered bones. Rashid Johnson (from 2001) at the Solomon R. Guggenheim Museum.
