Arnold Newman’s bisected portrait of Helen Frankenthaler, in the back room at Howard Greenberg.

Forgotten individuals, via vintage photo badges. At Ricco/Maresca.

The lush textures of an isolated, abandoned homestead. Andrew Moore at Yancey Richardson.

Iterative, elemental studio constructions. Saul Fletcher at Anton Kern.

Pared down, disconnected, in between landscapes. Lauren Marsolier at Galerie Richard.

Candy colored wigs and melodrama. Julia Fullerton-Batten at Jenkins Johnson.

Blanked out newspapers, comparing visual storytelling. Sarah Charlesworth in the rehung Contemporary (post 1980) galleries at MoMA.

Lusciously tactile rumpled folds. James Welling in the rehung Contemporary (post 1980) galleries at MoMA.

A floor to ceiling tower of fragmented body parts. John Coplans in the A Chromatic Loss group show at Bortolami Gallery.

Extra large modern prints of iconic Danny Lyon images. At Edwynn Houk.

A loose geometric pattern of pipes. Isabel Nolan in the Retired Architect group show at Wallspace.

Layers of torn, broken rephotography. Martha Mysko at Marc Straus.

A triangle of stomachs. Jared Bark in the Holly Solomon show at Mixed Greens.

A triptych of see through geometries. Gordon Matta-Clark in the Holly Solomon show at Mixed Greens.

Tacita Dean’s Super 8 scratchings, in the back room of the Stay in Love group show at Laurel Gitlen.

The passing of time in self portraits. Roman Opalka in the Stay in Love group show at Lisa Cooley.

Negative photographs made procedural by action/rules. Colby Bird at Fitzroy Gallery.

Nature overcoming the trials of the city. Michael Vahrenwald in the American Beauty group show at Susan Inglett Gallery.

A torn paper lemon still life. Daniel Gordon in the Merge Visible group show at Horton Gallery.

The bent space of layered rephotography. John Houck in the Merge Visible group show at Horton Gallery.