Dense hand alterations transform found photographs. Emerson Cooper at Muriel Guépin.
An absorbing procession of fanciful staged performances. Kahn & Selesnick at Yancey Richardson.
A surreal parade of contrasting hands. Horst P. Horst at Artnet Auctions.
Incongruous hand colored street wrestling. Elaine Stocki at Thomas Erben.
Overlapped layers of frames. Christopher Rauschenberg at Laurence Miller.
Nude in a tent of refracting plastic sheeting. Roger Mertin at Laurence Miller.
A towering twist of photographic imagery. David Kennedy Cutler at Derek Eller.
Brassaï graffiti in exhibition print size. Lot 58 at Millon.
Oversized soldier heads in moments of repose. Suzanne Opton at Sikkema Jenkins & Co.
A conversation of layered shadows. Hannah Price in the Yale MFA show at the FLAG Art Foundation.
A swirling, inconclusive, time altered landscape. Billie Stultz in the Yale MFA show at the FLAG Art Foundation.
Bleached, solarized, toned, reversed. Robert Heinecken at Petzel.
Tiny urban landscapes evolving from decay. Jiang Pengyi at Klein Sun.
Satirizing female pornography poses. Tomislav Gotovac at Alexander Gray Associates.
The intricacy of rotated, overlapped abstraction. Geraldo de Barros at Tierney Gardarin.
Smart conceptual shadow play. Keiji Uematsu in the 1970s Japanese photography show at Marianne Boesky.
Incrementally interrupted measuring sticks. Kanji Wakae in the 1970s Japanese photography show at Marianne Boesky.
Wispy trees and striped parking lot horizontals. Andreas Gefeller in the Conceptual Color sale at Artnet Auctions.
Layers of angular window forms. Simryn Gill at Tracy Williams.
Dust covered tabletop models of destroyed Iraqi spaces. Waafa Bilal at Driscoll Babcock.
