Elemental architectural forms, mixing sculpture, photography, and hand-worked detailing. Allan Wexler at Ronald Feldman.
Restaging Cindy Sherman with misguided absurdity. James Franco at Pace.
The artist with bird wings. From the Lucas Samaras: Offerings from a Restless Soul show at the Met.
Delicate dandelions in turn of the century platinum. Frederick Evans in the second floor hallway at the Met.
The uncertain connections of rephotographed magazine spreads. Peter Coffin at Half Gallery.
The forlorn loss of a balloon let go. Gianni Ranati in the Mid-Century Postwar Italian Photography show at Keith De Lellis.
The balanced proportions of a tiered Italian garden. Lawrence Beck at Sonnabend.
Portraiture as an intentional clash of patterns. Vintage Malick Sidibé at Jack Shainman.
The flattened geometries of a filled in swimming pool. Clay Ketter at Sonnabend.
Rosehips emerging from the inky blackness. Sarah Jones at Anton Kern.
Stags locking horns in the Château de Chambord. Karen Knorr at Danziger.
The spectral intricacy of auto-show motors. Joe Pflieger at Monya Rowe.
Photographic emulsion as globular paint. Garrett Pruter in the Visions group show at Judith Charles.
The graceful concrete of the ANZAC memorial draped in camouflage netting. Sharon Ya’ari at Andrea Meislin.
The images before and after the famous Molotov Man. Susan Meiselas in the Re-Framing History group show at Galerie Lelong.
Brighton Beach peaches. Jerome Liebling at Steven Kasher.
A timeless Minnesota screen door portrait. Jerome Liebling at Steven Kasher.
Missing tiles in the bathroom mirror. Katherine Newbegin at Lesley Heller Workspace.
Shifting intermingled lenticular snapshots. Willy Le Maitre at CANADA.
The surface of the sun, via physautotype. Dove Allouche at Peter Freeman.
