Multiple exposure head in a refrigerator. Brigid Berlin at Invisible-Exports.
The tender embrace of a baby raccoon. Jesse Burke at ClampArt.
Mimicking the whorls of digital distortion. Sarah Sieradzki in the Surface Tension group show at Garis & Hahn.
Nude crosshatched into abstraction. Brassaï in the 11/13 Photographs Signature Auction at Heritage.
A tangled montage of fetish eroticism. Pierre Molinier, in a single artist auction 11/13 at Artcurial.
Replicating street art text in tattoo ink. Addam Yekutieli at Catinca Tabacaru.
Araki Polaroids on the floor of a fake massage parlor. Paired with Rudolf Schwarzkogler in Salon de Mass-age at Shin Gallery.
Men and their handguns. Hunter Barnes at Milk Gallery.
Stylized stagings on the 1940s Nantucket shore. PaJaMa (Paul Cadmus, Jared French, and Margaret French) at Gitterman.
A less glamorous echo of advertising tropes. Sanja Iveković in the Transmissions: Art in Eastern Europe and Latin America, 1960–1980 show at MoMA.
Making photograms on a spinning gramophone turntable. Běla Kolářová in the Transmissions: Art in Eastern Europe and Latin America, 1960–1980 show at MoMA.
Forced togetherness – people, rocks, tires, and beer bottles. Milan Knížák in the Transmissions: Art in Eastern Europe and Latin America, 1960–1980 show at MoMA.
Putting a live family on a gallery pedestal. Oscar Bony in the Transmissions: Art in Eastern Europe and Latin America, 1960–1980 show at MoMA.
Tracing a circle with a finger tip. Liliana Porter in the Transmissions: Art in Eastern Europe and Latin America, 1960–1980 show at MoMA.
Smashed face self-portraits using a plate of glass. Ana Mendieta in the Transmissions: Art in Eastern Europe and Latin America, 1960–1980 show at MoMA.
The contrast of fashion model and surroundings. Francesco Scavullo in a single artist sale at Sotheby’s.
Surreal body forms slithering down the stairs. Hans Bellmer in the Turello collection sale at Artcurial.
Landscape layers in dark and light. Vicomte Joseph Vigier in the Jay McDonald collection at Hans Kraus.
Rotating cyanotype light rods over color fields. John Opera at Higher Pictures.
A muscled back, woven like scarring. Jorge Otero in the Nuevos Colores group show at Robert Miller.
