Hiding behind glistening bodies. Xaviera Simmons at The Kitchen.
Expanding the layered thickness of digital gestures. Katherine Frazer in the Temporary Highs group show at Bitforms.
Artificial intelligence becoming the artist. Jonas Lund in the Temporary Highs group show at Bitforms.
Hot pavement and interrupting grey circles. John Baldessari in the Shrines to Speed group show at Leila Heller.
Ornery Barracuda with Canal Zone plates. Richard Prince in the Shrines to Speed group show at Leila Heller.
A surreal frenzy of flying potatoes. Anna and Bernhard Blume at Peter Freeman.
The contagious enthusiasm of LGBT activism. Peter Hujar in the 1970s group show at the Leslie-Lohman Museum of Gay and Lesbian Art.
Intermingled female bodies, solarized and mirrored. Tee Corinne in the 1970s group show at the Leslie-Lohman Museum of Gay and Lesbian Art.
Vaguely puzzled by a smoky menace. Drew Brown in the Reviver: Yale MFA Photo 2016 group show at Danziger.
The uncertain tenderness of a yellow orb. Cole Don Kelley in the Reviver: Yale MFA Photo 2016 group show at Danziger.
A lawyerly still life of extra high heels and document cartons. Robin Dahlberg in the In Our Time Hartford MFA group show at Baxter St.
The ramshackle meagerness of a valley homestead. Josée Schryer in the In Our Time Hartford MFA group show at Baxter St.
Delicate weeds and a hazy Pictorialist sky. Léonard Misonne at Keith De Lellis.
An unsettled mix of Anne Frank, a mobile phone, and fall leaves. Torbjørn Rødland on the Whitney billboard.
The ghosts of a triple exposure self portrait. Gerhard Richter in the Post-War and Contemporary Art Day sale at Christie’s London on 6/30.
Subtle flares of light across black paper. Koji Enokura at Taka Ishii Gallery.
Manipulating nature with filtered twists of light and color. Karine Laval at Benrubi Gallery.
The energetic motion of a spinning cylinder. Nándor Bárány in IMPACT: Abstraction & Experiment in Hungarian Photography at Alma Gallery.
Using window blinds as a camera obscura shutter. Enikő Gabor in IMPACT: Abstraction & Experiment in Hungarian Photography at Alma Gallery.
Compass lines and a charred newspaper. György Kepes in IMPACT: Abstraction & Experiment in Hungarian Photography at Alma Gallery.
