A grid of intertwined body parts. Betty Tompkins in the Rear Window Treatment group show at Louis B. James.

Lazy sensuality and clashing patterns. Mickalene Thomas in the History group show at Bill Hodges.

Camera equipment as graphic design. In the kimono show at the Met.

Reclining nude with unkempt tulle. Carlo Mollino at Gagosian.

Weimaraners and sculptural geometries. William Wegman at Senior & Shopmaker.

Forms and textures in a still life of beer, tobacco, and matches. Rudy Burckhardt at Tibor de Nagy.

Bread holes in the shape of Brazil. Anna Bella Geiger at Henrique Faria.

A small sized example of the artist’s recent photograms. Thomas Ruff in the German Photography sale at Artnet Auctions.

Tiny nude on a tiny easel. Nadav Kander in the Small is Beautiful group show at Flowers.

Sweater as frame. Pixy Yijun Liao in the Small is Beautiful group show at Flowers.

Time dilation of adjacent frames. Sam Samore at Team.

The reconsidered walls of institutional critique. Christopher Williams at David Zwirner.

The burnished glow of patterns and geometries. Will Brown at Laurence Miller.

Patient attention to ill-fitting clothes. Bruce Wrighton at Laurence Miller.

Formal studies of in situ logos. Colin Snapp in the Freezer Burn group show at Hauser & Wirth.

Tiling between painting and photography. Ian Wallace in the Freezer Burn group show at Hauser & Wirth.

A creepy doll’s head in a ladle. Ralph Eugene Meatyard in the Disturbing Innocence group show at FLAG Art Foundation.

Perfect doll house domesticity. Laurie Simmons in the Disturbing Innocence group show at FLAG Art Foundation.

The teddy bear takes control. Dare Wright in the Disturbing Innocence group show at FLAG Art Foundation.

Bouffant hair and blond toddlers. Arlene Gottfried at Daniel Cooney.