A stylized backward look at the audience. Alex Prager at Lehmann Maupin.

Treasures vanishing into endless racks of gilded frames. Mauro Fiorese at Robert Mann.

Original photocollage on a cardboard shipping box from Tipi Bookshop.

Building up abstraction using photograms and overpainting. Tillman Kaiser at Mitchell Algus Gallery.

Finding engaged slowness in a coast to coast walk. Hamish Fulton at Josée Bienvenu Gallery.

In camera stencils reminiscent of Ed Ruscha. Corey Escoto at Taymour Grahne.

Objects and memories in Polish households. Zofia Rydet in The Keeper at the New Museum.

An exhaustive collection of photographic teddy bears. Ydessa Hendeles in The Keeper at the New Museum.

Capturing snowflakes with scientific precision. Wilson Bentley in The Keeper at the New Museum.

Joyful dancing in a soulless factory. Cao Fei at MoMA PS1.

A gentle turn in improvised dancing. Jesse Fernandez in the Under the Cuban Sun group show at Throckmorton Fine Art.

Leaning machetes and hanging feet. Raul Cañibano in the Under the Cuban Sun group show at Throckmorton Fine Art.

Balancing doorway horizontals and verticals. Christophe von Hohenberg in the Under the Cuban Sun group show at Throckmorton Fine Art.

The ethereal hands of a life-sized angel. Bruce Conner at MoMA.

Mouthing a radish in a 1964 salad dressing ad. William Helburn at Staley-Wise.

Carousel ponies dancing across a vacant lot. Henri Cartier-Bresson in the Selections from the Collection group show at Howard Greenberg.

Elegant geometric shadow play. Jaroslav Rössler in the Selections from the Collection group show at Howard Greenberg.

Reconstructing landscape from reflected and refracted textures. Anastasia Samoylova in the High Summer group show at Foley Gallery.

Layered imagery on undulating mesh. Sylvia Hardy in the High Summer group show at Foley Gallery.

Striated undulations of light. Karl Martin Holzhäuser in the Big Nothing group show at Sous Les Etoiles.