Measuring a frozen river in body lengths. Roger Welch in the Concept, Performance, Documentation, Language group show at Mitchell Algus.
Teenage urges and immediate gratification. Marcia Resnick in the Concept, Performance, Documentation, Language group show at Mitchell Algus.
Precisely disorienting cut-through space. Gordon Matta-Clark in the Concept, Performance, Documentation, Language group show at Mitchell Algus.
The abstract iterations of a bearded chin. Jared Bark in the Concept, Performance, Documentation, Language group show at Mitchell Algus.
A staged tumble from 1948. Elisabeth Hase at Robert Mann.
Muted decay in the overlooked undergrowth. Sharon Core at Yancey Richardson.
Searching for identity in nylon fashions and mug shots. Qiana Mestrich in the Dress-Up group show at Sepia Eye.
Majestic animals amid the grimness of trash dumps and glue sniffers. Nick Brandt at Edwynn Houk.
Mirrored reflections and a crackled transparent scrim. Willa Nasatir at Chapter NY.
Cocaine drawings on the face of Jimi Hendrix. Hélio Oiticica and Neville D’Almeida in the Narrative/Collaborative group show at Galerie Lelong.
Undermining fashion forms with checkbox attributes. Sara Greenberger Rafferty at Rachel Uffner.
Finding elemental form in a single black tulip. Denis Brihat, from 1980, at Nailya Alexander.
Turning the Italian hills into a striated abstraction. Mario Giacomelli in The Good Earth (La Buona Terra) at Keith De Lellis.
The extreme slowness of precision video. James Nares at Paul Kasmin.
The shifting wispiness of lenticular clouds. T.J. Wilcox at Gladstone Gallery.
The cramped crush of 1960s Shinjuku station. Hiro at Pace/MacGill.
The unlikely invasion of a big polka dotted tie. Brian Griffin at Steven Kasher.
A blasting 1970s tease, complete with bubble. Meryl Meisler at Steven Kasher.
Dramatic doublings and split personalities. Anja Niemi at the Little Black Gallery.
Clever echoes of salt shakers and steeples. Martin Parr in a group show at Janet Borden.
