Subtle flares of light across black paper. Koji Enokura at Taka Ishii Gallery.
Manipulating nature with filtered twists of light and color. Karine Laval at Benrubi Gallery.
The energetic motion of a spinning cylinder. Nándor Bárány in IMPACT: Abstraction & Experiment in Hungarian Photography at Alma Gallery.
Using window blinds as a camera obscura shutter. Enikő Gabor in IMPACT: Abstraction & Experiment in Hungarian Photography at Alma Gallery.
Compass lines and a charred newspaper. György Kepes in IMPACT: Abstraction & Experiment in Hungarian Photography at Alma Gallery.
Trolley stop as musical score. Ray Metzker in the From the Collection: 1960-1969 group show at MoMA.
Self-fractured with a glass shard. Carolee Schneemann in the From the Collection: 1960-1969 group show at MoMA.
Nude receding into a soft tactile blur. Susan Paulsen at Deborah Bell.
Jostling parkgoers with appropriated signage. Kathryn Andrews on the High Line.
Adding architectural thickness/depth to bow hunters and tomato surprise. Anne Doran in the Frida Smoked group show at Invisible-Exports.
Splattered blue stripes and tumbling waves. Arthur Ou in the Light, Volume and Form: Photographs from the Shalom Shpilman Collection online sale (through 6/2) at Christie’s.
The swirled abstraction of water and paint. Beatrice Pediconi at Sepia Eye.
Bodies connected with neon stitching. Hu Weiyi in the New voices: a dslcollection story group show at Klein Sun Gallery.
The potent power of long black hair. Yee I-Lann at Tyler Rollins Fine Art.
Using cardboard panels to divide a male nude. Jimmy DeSana at Salon 94 Bowery.
Playfully tweaking our sense of scale. Duane Michals, from a 1973 sequence, at DC Moore.
Solidity/illusion amid spatial interruptions. Bill Durgin in the PHOTO-FINISH group show at Station Independent Projects.
Curlers and insistent lines. Larry Sultan in the Photography sale (closing 5/31) at Paddle8.
Peeling away nudes in cut canvas strings. Kamolpan Chotvichai at Sundaram Tagore.
In situ commentary via lightbox interventions. Shimon Attie at Jack Shainman.
