Kaufmann Repetto (here): Shannon Ebner (1). Another entry in the “built to be photographed” category; this large graphic symbol in cinder blocks by Ebner was priced at $12000.

Galerie Eva Presenhuber (here): Steven Shearer (3), Amy Granat (1). These floral photograms by Granat are reminiscent of similar images made by Kunie Sugiura, although these have been cropped, reoriented, and transformed into a repetitive, high contrast grid. The work was priced at $20000.

Regina Gallery (here): Nikolay Bakharev (5). I’ve seen a few of these engaging 1970s beach portraits from Bakharev of late, and they’re starting to grow on me. They were priced at $3000 each.

Maureen Paley (here): James Welling (2), Wolfgang Tillmans (2), David Salle (1), Gillian Wearing (1). If there was any one photographer whose work was ubiquitous at this fair, it was Wolfgang Tillmans. This was the best image of his that I saw (due to the complex use of color), a new one priced at $57000 and already sold.

Galleria Continua (here): Mona Hatoum (1 Polaroid triptych). A simple idea, well executed – deadpan portraits with hair exploded by static electricity. This unique set of three prints by Hatoum was priced at $30000.

Frith Street Gallery (here): John Riddy (1), Tacita Dean (1 set of 14). Extra large versions of these Dean film strip works were recently on view at the Tate Modern. The set of 14 prints (offset not photographic) was priced at £45500.

Sikkema Jenkins & Co. (here): Vik Muniz (1). Washington Crossing the Delaware in Muniz’ most recent style, a dense collage of magazine scrap imagery. Priced at $45000, and not surprisingly, already sold.

Galerie Bucholz (here): Wolfgang Tillmans (2), Sam Lewitt (1 set of 10). I liked Lewitt’s layered NY Times transparencies, algorithmically reconstructed and subtracted to zero. Priced at $18000.

Alison Jacques Gallery (here): Robert Mapplethorpe (3). I had never seen these particular Mapplethorpe florals before. The single blossoms are bathed in ghostly, almost garish, colored light. Priced at $35000.

Sprüth Magers (here): Andreas Gursky (1), Astrid Klein (4 collages), Thomas Demand (1), John Baldessari (1), Cindy Sherman (1). The reason I included this $285000 Baldessari image in this review has nothing to do with the pig, or the hands, or the composition really. What is impossible to see in this installation shot is that the work had surprising depth; the different colored portions are built up in inch thick layers. Yet another example of reimagining photography with sculptural qualities.

Wallspace (here): Daniel Gordon (1), Shannon Ebner (1), John Divola (1). Textures and patterns abound in this new work from Gordon, playing with idea of the sculptural bust, priced at $5800.

303 Gallery (here): Hans-Peter Feldman (4), Collier Schorr (1), Stephen Shore (1 set of 8). This is an early conceptual series by Shore from the late 1960s (recently reprinted), where he stands and rotates in a circle, the desert background changing in each shot. Probably been done before and since, but still effective. Priced at $25000 for the set.